Noel Redding Quotes
I wouldn't know how I would have coped with The Beatles' sort of fame.

Quotes to Explore
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How can you not love a man banging on the drums? He knows how to keep a rhythm.
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When you get into statistical analysis, you don't really expect to achieve fame. Or to become an Internet meme. Or be parodied by 'The Onion' - or be the subject of a cartoon in 'The New Yorker.' I guess I'm kind of an outlier there.
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I don't have a craving for money. And I don't have a craving for fame.
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I was at UGA playing with Champ Bailey and Hines Ward - both guys who will probably touch the Hall of Fame one day.
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Slowly but surely, I went through different phases of fame, and each rises you further into isolation and alienation.
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I never went after fame. It fell into my lap.
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Fame is ultimately about the cycles of desire and how to do away with them or manage them well.
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If you come to fame not understanding who you are, it will define who you are.
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I never cared about money or fame, and I don't care now. I follow the groove, and money always follows.
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In some countries, no one knows who Idris Elba is.
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Fame is easy to acquire; impact is much more difficult.
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He to whom the present is the only thing that is present, knows nothing of the age in which he lives.
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I don't know many people who don't have somebody in their family who's a part of the gay-lesbian-bisexual-transgender community. It's not like they're aliens or outsiders. This is family.
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I got fame and fortune, and I lost my sense of reasoning.
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The less you know about me the easier it is to convince you that I'm the character on screen.
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Can you lay your life down, so a stranger can live? Can you take what you need, but take less than you give? Could you close every day, without the glory and fame? Could you hold your head high, when no-one knows your name?
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There's something really incredible about watching what someone else does with a role that we know: the Hamlets or the Henry Vs or the Othellos or the Cleopatras that we've seen on stage.
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Most people don't know that I invented the selfie.
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You know you've reached a new plateau of group mediocrity when even a Canadian is alarmed by your lack of individuality.
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I was 21. At the time, I was under the thumb of my label, and I felt like I had to do, say and act out everything they asked me to do. I was trying to please them and the public and finally I had to say, "Enough. I'm going to make a record that makes me happy and addresses all facets of being a woman. I don't care if I sell one or one million records." That's how I came to make Stripped.
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I know it is common nowadays for artists to start labels but this is a thoroughly constructed vehicle for inspired talent. This is a market that we've been living, breathing and eating for our entire lives - one where a huge void currently exists. Favored Nations is a long-term commitment.
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The more scared we are of a work or calling, the more sure we can be that we have to do it.
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I wouldn't know how I would have coped with The Beatles' sort of fame.