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When such as I cast out remorse; So great a sweetness flows into the breast; We must laugh and we must sing, We are blest by everything, Everything we look upon is blessed.
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There's keen delight in what we have: The rattle of pebbles on the shore Under the receding wave.
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The worst thing about some men is that when they are not drunk they are sober.
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You think it horrible that lust and rage Should dance attention upon my old age; They were not such a plague when I was young; What else have I to spur me into song?
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Your hooves have stamped at the black margin of the wood, Even where horrible green parrots call and swing. My works are all stamped down into the sultry mud.
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Consume my heart away, sick with desire And fastened to a dying animal It knows not what it is, and gather me Into the artifice of eternity.
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Players and painted stage took all my love, And not those things that they were emblems of.
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I wonder anybody does anything at Oxford but dream and remember, the place is so beautiful. One almost expects the people to sing instead of speaking. It is all like an opera.
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You that would judge me, do not judge alone this book or that, come to this hallowed place where my friends' portraits hang and look thereon; Ireland's history in their lineaments trace; think where man's glory most begins and ends and say my glory was I had such friends.
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When an immortal passion breathes in mortal clay; Our hearts endure the scourge, the plaited thorns, the way Crowded with bitter faces, the wounds in palm and side, The vinegar-heavy sponge, the flowers by Kedron stream.
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Does the imagination dwell the most Upon a woman won or a woman lost?
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I heard the old, old, men say 'all that's beautiful drifts away, like the waters.'
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All hatred driven hence, The soul recovers radical innocence And learns at last that it is self-delighting, Self-appeasing, self-affrighting, And that its own sweet will is Heaven's will
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And that enquiring man John Synge comes next, That dying chose the living world for text And never could have rested in the tomb But that, long travelling, he had come Towards nightfall upon certain set apart In a most desolate stony place.
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And wisdom is a butterfly And not a gloomy bird of prey.
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Now as at all times I can see in the mind's eye, In their stiff, painted clothes, the pale unsatisfied ones Appear and disappear in the blue depth of the sky With all their ancient faces like rain- beaten stones, And all their helms of silver hovering.
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Think like a wise man but communicate in the language of the people.
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The Bishop has a skin, God knows, Wrinkled like the foot of a goose, (All find safety in the tomb.) Nor can he hide in holy black The heron's hunch upon his back, But a birch-tree stood my Jack.
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Do not wait to strike till the iron is hot; but make it hot by striking.
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The hare grows old as she plays in the sun And gazes around her with eyes of brightness; Before the swift things that she dreamed of were done She limps along in an aged whiteness.
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I think all happiness depends on the energy to assume the mask of some other life, on a re-birth as something not one's self.
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An age is the reversal of an age: When strangers murdered Emmet, Fitzgerald, Tone, We lived like men that watch a painted stage. What matter for the scene, the scene once gone: It had not touched our lives.
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Man has created death.
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We are no petty people. We are one of the great stocks of Burke; we are the people of Swift, the people of Emmet, the people of Parnell. We have created most of the modern literature of this country. We have created the best of its political intelligence.