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How can they know Truth flourishes where the student's lamp has shone, And there alone, that have no solitude? So the crowd come they care not what may come. They have loud music, hope every day renewed And heartier loves; that lamp is from the tomb.
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As I thought of these things, I drew aside the curtains and looked out into the darkness, and it seemed to my troubled fancy that all those little points of light filling the sky were the furnaces of innumerable divine alchemists, who labour continually, turning lead into gold, weariness into ecstasy, bodies into souls, the darkness into God; and at their perfect labour my mortality grew heavy, and I cried out, as so many dreamers and men of letters in our age have cried, for the birth of that elaborate spiritual beauty which could alone uplift souls weighted with so many dreams.
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Come away, O human child: To the waters and the wild with a fairy, hand in hand, For the world's more full of weeping than you can understand.
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The Irishman sustains himself during brief periods of joy by the knowledge that tragedy is just around the corner.
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We are closed in, and the key is turned / On our uncertainty.
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What is literature but the expression of moods by the vehicle of symbol and incident?
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Be secret and exult, Because of all things known That is most difficult.
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Eyes spiritualised by death can judge, I cannot, but I am not content.
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When a man grows old his joy Grows more deep day after day, His empty heart is full at length But he has need of all that strength Because of the increasing Night That opens her mystery and fright.
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I wonder anybody does anything at Oxford but dream and remember
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I would that I were an old beggar Rolling a blind pearl eye, For he cannot see my lady Go gallivanting by.
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Only the dead can be forgiven; But when I think of that my tongue's a stone.
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Out-worn heart, in a time out-worn, Come clear of the nets of wrong and right; Laugh, heart, again in the grey twilight, Sigh, heart, again in the dew of the morn.
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An aged man is but a paltry thing, a tattered coat upon a stick
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Poetry and music I have banished, But the stupidity Of root, shoot, blossom or clay Makes no demand. I bend my body to the spade Or grope with a dirty hand.
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In life courtesy and self-possession, and in the arts style, are the sensible impressions of the free mind, for both arise out of a deliberate shaping of all things and from never being swept away, whatever the emotion into confusion or dullness.
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A sea captain when he stands upon the bridge, or looks out from his deck-house, thinks much about God and about the world. Away in the valley yonder among the corn and the poppies men may well forget all things except the warmth of the sun upon the face, and the kind shadow under the hedge; but he who journeys through storm and darkness must needs think and think.
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Cats are oppressed, dogs terrify them, landladies starve them, boys stone them, everybody speaks of them with contempt. If they were human beings we could talk of their oppressors with a studied violence, add our strength to theirs, even organize the oppressed and like good politicians sell our charity for power.
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Things fall apart; the center cannot hold.
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Even the wisest man grows tense With some sort of violence Before he can accomplish fate, Know his work or choose his mate. Poet and sculptor, do the work, Nor let the modish painter shirk
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Acquaintance; companion; One dear brilliant woman; The best-endowed, the elect, All by their youth undone, All, all, by that inhuman Bitter glory wrecked.
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A thought Of that late death took all my heart for speech.
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Him who trembles before the flame and the flood, And the winds that blow through the starry ways, Let the starry winds and the flame and the flood Cover over and hide, for he has no part With the lonely, majestical multitude.
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The falcon cannot hear the falconer