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For what but eye and ear silence the mind With the minute particulars of mankind?
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God spreads the heavens above us like great wings, And gives a little round of deeds and days.
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I have mummy truths to tell Whereat the living mock, Though not for sober ear, For maybe all that hear Should laugh and weep an hour upon the clock.
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There are a few of the open-air spirits; the more domestic of their tribe gather within-doors, plentiful as swallows under southern eaves.
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Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants.
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What can I but enumerate old themes?
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Beloved, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with metry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee.
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Beloved, let your eyes half close, and your heart beat Over my heart, and your hair fall over my breast, Drowning love's lonely hour in deep twilight of rest.
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I have believed the best of every man. And find that to believe is enough to make a bad man show him at his best, or even a good man swings his lantern higher.
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Nothing that we love overmuch Is ponderable to our touch.
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What shall I do with this absurdity- O heart, O troubled heart-this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye That more expected the impossible.
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I weave the shoes of Sorrow: Soundless shall be the footfall light In all men's ears of Sorrow, Sudden and light.
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For such, Being made beautiful overmuch, Consider beauty a sufficient end, Lose natural kindness and maybe The heart-revealing intimacy That chooses right, and never find a friend.
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This great purple butterfly, In the prison of my hands, Has a learning in his eye Not a poor fool understands.
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Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.
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Many times man lives and dies Betweeen his two eternities, That of race and that of soul, And ancient Ireland knew it all. Whether man die in his bed Or the rifle knocks him dead
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Love comes in at the eye.
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BELOVED, gaze in thine own heart, The holy tree is growing there.
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Nor bird nor beast Could make me wish for anything this day, Being old, but that the old alone might die, And that would be against God's Providence.
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I Sing what was lost and dread what was won, / I walk in a battle fought over again.
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The only enemy of innocence and beauty is time.
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This melancholy London - I sometimes imagine that the souls of the lost are compelled to walk through its streets perpetually. One feels them passing like a whiff of air.
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Come near, that no more blinded by man's fate, I find under the boughs of love and hate, In all poor foolish things that live a day, Eternal beauty wandering on her way.
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I have found nothing half so good / As my long-planned half solitude, / Where I can sit up half the night / With some friend that has the wit.