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The intellect of man is forced to choose Perfection of the life, or of the work And if it take the second must refuse A heavenly mansion, raging in the dark.
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In the great cities we see so little of the world, we drift into our minority. In the little towns and villages there are no minorities; people are not numerous enough. You must see the world there, perforce. Every man is himself a class.
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For what but eye and ear silence the mind With the minute particulars of mankind?
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This great purple butterfly, In the prison of my hands, Has a learning in his eye Not a poor fool understands.
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Beloved, let your eyes half close, and your heart beat Over my heart, and your hair fall over my breast, Drowning love's lonely hour in deep twilight of rest.
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There are a few of the open-air spirits; the more domestic of their tribe gather within-doors, plentiful as swallows under southern eaves.
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What shall I do with this absurdity- O heart, O troubled heart-this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye That more expected the impossible.
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I have mummy truths to tell Whereat the living mock, Though not for sober ear, For maybe all that hear Should laugh and weep an hour upon the clock.
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I have believed the best of every man. And find that to believe is enough to make a bad man show him at his best, or even a good man swings his lantern higher.
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What can I but enumerate old themes?
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Nothing that we love overmuch Is ponderable to our touch.
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I weave the shoes of Sorrow: Soundless shall be the footfall light In all men's ears of Sorrow, Sudden and light.
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I have found nothing half so good / As my long-planned half solitude, / Where I can sit up half the night / With some friend that has the wit.
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Nor bird nor beast Could make me wish for anything this day, Being old, but that the old alone might die, And that would be against God's Providence.
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BELOVED, gaze in thine own heart, The holy tree is growing there.
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Love comes in at the eye.
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Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.
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This melancholy London - I sometimes imagine that the souls of the lost are compelled to walk through its streets perpetually. One feels them passing like a whiff of air.
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For such, Being made beautiful overmuch, Consider beauty a sufficient end, Lose natural kindness and maybe The heart-revealing intimacy That chooses right, and never find a friend.
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The only enemy of innocence and beauty is time.
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Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants.
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The soldier takes pride in saluting his Captain, The devotee proffers a knee to his Lord, Some back a mare thrown from a thoroughbred, Troy backed its Helen, Troy died and adored; Great nations blossom above, A slave bows down to a slave.
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Things said or done long years ago Or things I did not do or say But thought that I might say or do, Weigh me down, and not a day But something is recalled, My conscience or my vanity appalled.
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The desire that is satisfied is not a great desire, nor has the shoulder used all its might that an unbreakable gate has never strained.