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The chief imagination of Christendom, Dante Alighieri, so utterly found himself That he has made that hollow face of his More plain to the mind's eye than any face But that of Christ.
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for never yet Has lover lived, but longed to wive Like them that are no more alive.
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His element is so fine Being sharpened by his death, To drink from the wine-breath While our gross palates drink from the whole wine.
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We are happy when for everything inside us there is a corresponding something outside us.
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Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while.
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All art that is not mere storytelling, or mere portraiture, is symbolic, and has the purpose of those symbolic talismans which medieval magicians made with complex colours and forms, and bade their patients ponder over daily, and guard with holy secrecy; for it entangles, in complex colours and forms, a part of the Divine Essence.
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Sweetheart, do not love too long: I loved long and long, And grew to be out of fashion Like an old song.
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Everything that man esteems Endures a moment or a day.
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All the stream that's roaring by Came out of a needle's eye.
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You ask what I have found and far and wide I go, Nothing but Cromwell's house and Cromwell's murderous crew, The lovers and the dancers are beaten into the clay, And the tall men and the swordsmen and the horsemen where are they?
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The labor of the alchemists, who were called artist in their day, is a befitting comparison for a deliberate change of style.
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A mermaid found a swimming lad, Picked him up for her own, Pressed her body to his body, Laughed; and plunging down Forgot in cruel happiness That even lovers drown.
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Only that which does not teach, which does not cry out, which does not condescend, which does not explain, is irresistible.
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Between extremities Man runs his course; A brand, or flaming breath, Comes to destroy All those antinomies Of day and night.
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I kiss you and kiss you, With arms around my own, Ah, how shall I miss you, When, dear, you have grown.
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I--though heart might find relief Did I become a Christian man and choose for my belief What seems most welcome in the tomb--play a predestined part. Homer is my example and his unchristened heart.
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No art can conquer the people alone-the people are conquered by an ideal of life upheld by authority.
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Man's life is thought, And he, despite his terror, cannot cease Ravening through century after century, Ravening, raging, and uprooting that he may come Into the desolation of reality.
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Once you attempt legislation upon religious grounds, you open the way for every kind of intolerance and religious persecution.
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Choose your companions from the best; Who draws a bucket with the rest soon topples down the hill.
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Never shall a young man, Thrown into despair By those great honey-coloured Ramparts at your ear, Love you for yourself alone And not your yellow hair.
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But was there ever dog that praised his fleas?
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Earth in beauty dressed Awaits returning spring. All true love must die, Alter at the best Into some lesser thing. Prove that I lie.
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Once out of nature I shall never take My bodily form from any natural thing, But such a form as Grecian goldsmiths make Of hammered gold and gold enameling To keep a drowsy Emperor awake; Or set upon a golden bough to sing To lords and ladies of Byzantium Of what is past, or passing, or to come.