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We can only begin to live when we conceive life as Tragedy.
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Test every work of intellect or faith, And everything that your own hands have wrought And call those works extravagance of breath That are not suited for such men as come Proud, open-eyed and laughing to the tomb.
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Come Fairies, take me out of this dull world, for I would ride with you upon the wind and dance upon the mountains like a flame!
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I have heard that hysterical women say They are sick of the palette and fiddle-bow, Of poets that are always gay
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I agree about Shaw - he is haunted by the mystery he flouts. He is an atheist who trembles in the haunted corridor.
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Bid imagination run / Much on the Great Questioner; / What He can question, what if questioned I / Can with a fitting confidence reply.
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Even when the poet seems most himself . . . he is never the bundle of accident and incoherence that sits down to breakfast; he has been reborn as an idea, something intended, complete.
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Come let us mock at the good That fancied goodness might be gay, And sick of solitude Might proclaim a holiday: Wind shrieked and where are they?
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And the merry love the fiddle, and the merry love to dance.
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When I think of all the books I have read, and of the wise words I have heard spoken, and of the anxiety I have given to parents and grandparents, and of the hopes that I have had, all life weighed in the scales of my own life seems to me a preparation for something that never happens.
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The old priest Peter Gilligan Was weary night and day; For half his flock were in their beds, Or under green sods lay.
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The Mask "Put off that mask of burning gold With emerald eyes." "O no, my dear, you make so bold To find if hearts be wild and wise, And yet not cold." "I would but find what's there to find, Love or deceit." "It was the mask engaged your mind, And after set your heart to beat, Not what's behind." "But lest you are my enemy, I must enquire." "O no, my dear, let all that be, What matter, so there is but fire In you, in me?"
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Art bids us touch and taste and hear and see the world, and shrinks from what Blake calls mathematic form, from every abstract form, from all that is of the brain only.
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Because of something told under the famished horn Of the hunter's moon, that hung between the night and the day, To dream of women whose beauty was folded in dismay, Even in an old story, is a burden not to be borne.
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The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are agleam, Our arms are waving, our lips are apart.
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The house ghost is usually a harmless and well-meaning creature. It is put up with as long as possible. It brings good luck to those who live with it.
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A poet is a good citizen turned inside out.
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We poets would die of loneliness but for women, and we choose our men friends that we may have somebody to talk about women with. Letter to Olivia Shakespeare, 1936
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All things can tempt me from this craft of verse: One time it was a woman's face, or worse-- The seeming needs of my fool-driven land; Now nothing but comes readier to the hand Than this accustomed toil.
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All empty souls tend to extreme opinion. It is only in those who have built up a rich world of memories and habits of thought that extreme opinions affront the sense of probability. Propositions, for instance, which set all the truth upon one side can only enter rich minds to dislocate and strain, if they can enter at all, and sooner or later the mind expels them by instinct.
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Every conquering temptation represents a new fund of moral energy. Every trial endured and weathered in the right spirit makes a soul nobler and stronger than it was before.
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All the wild-witches, those most notable ladies For all their broom-sticks and their tears, Their angry tears, are gone.
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Cast a cold eye on life, on death Horseman pass by
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When I clamber to the heights of sleep, Or when I grow excited with wine, suddenly I meet your face.