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Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.
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Great literature has always been written in a like spirit, and is, indeed, the Forgiveness of Sin, and when we find it becoming the Accusation of Sin, as in George Eliot, who plucks her Tito in pieces with as much assurance as if he had been clockwork, literature has begun to change into something else.
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For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, schoolmasters, and clergymen The martyrs call the world.
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My curse on plays That have to be set up in fifty ways, On the day's war with every knave and dolt, Theater business, management of men.
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I have known more men destroyed by the desire to have wife and child and to keep them in comfort than I have seen destroyed by drink and harlots.
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It is not permitted to a man, who takes up pen or chisel, to seek originality, for passion is his only business, and he cannot but mould or sing after a new fashion because no disaster is like another.
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No art can conquer the people alone-the people are conquered by an ideal of life upheld by authority.
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One had a lovely face, And two or three had charm, But charm and face were in vain. Because the mountain grass Cannot keep the form Where the mountain hare has lain.
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Once out of nature I shall never take My bodily form from any natural thing, But such a form as Grecian goldsmiths make Of hammered gold and gold enameling To keep a drowsy Emperor awake; Or set upon a golden bough to sing To lords and ladies of Byzantium Of what is past, or passing, or to come.
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That is no country for old men. The young In one another's arms, birds in the trees - Those dying generations-at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unaging intellect.
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The brawling of a sparrow in the eaves The brilliant moon and all the milky sky And all that famous harmony of leaves Had blotted out man's image and his cry.
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Supreme art is a traditional statement of certain heroic and religious truth, passed on from age to age, modified by individual genius, but never abandoned.
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I say that Roger Casement Did what he had to do, He died upon the gallows But that is nothing new.
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The uncontrollable mystery on the bestial floor.
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The Mask "Put off that mask of burning gold With emerald eyes." "O no, my dear, you make so bold To find if hearts be wild and wise, And yet not cold." "I would but find what's there to find, Love or deceit." "It was the mask engaged your mind, And after set your heart to beat, Not what's behind." "But lest you are my enemy, I must enquire." "O no, my dear, let all that be, What matter, so there is but fire In you, in me?"
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I am haunted by numberless islands, many a Danaan shore, Where Time would surely forget us, and Sorrow come near us no more;Soon far from the rose and the lily and fret of the flames would we be, Were we only white birds, my beloved, buoyed out on the foam of the sea!
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Even when the poet seems most himself . . . he is never the bundle of accident and incoherence that sits down to breakfast; he has been reborn as an idea, something intended, complete.
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Because of something told under the famished horn Of the hunter's moon, that hung between the night and the day, To dream of women whose beauty was folded in dismay, Even in an old story, is a burden not to be borne.
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An intellectual hatred is the worst, So let her think opinions are accursed. Have I not seen the loveliest woman born Out of the mouth of Plenty's horn, Because of her opinionated mind Barter that horn and every good By quiet natures understood For an old bellows full of angry wind?
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And if joy were not on the earth, There were an end of change and birth, And Earth and Heaven and Hell would die, And in some gloomy barrow lie Folded like a frozen fly.
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O would, beloved, that you lay Under the dock-leaves in the ground, While lights were paling one by one.
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And the merry love the fiddle, and the merry love to dance.
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A poet is a good citizen turned inside out.
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I have heard that hysterical women say They are sick of the palette and fiddle-bow, Of poets that are always gay