Mikhail Baryshnikov Quotes
I like the most provocative and most surprising partnerships on stage. Intensity and surprise.
Quotes to Explore
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Everywhere I go, I will make a good payday. But we got to choose the right opponent and the right time and the right venue.
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I look at WorldstarHipHop in the morning, Bossip, Global Grind, and everything in between, but it's all so quick, I don't even think about it. And I've never been a fan of lyrical or socially conscious rap music.
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Seeing a catering truck feels like home.
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Falling in love, romance, matters of the heart - when you fall in love, on some biochemical level you know there is a chance it won't work out. It's ingrained in us that if you take such an enormous risk on someone with your heart that it might not pay off. I gamble all my chips and I might actually lose everything.
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It's taken me time to find my feet in L.A.
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I am chairman of the Africa subcommittee in the House of Representatives.
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A mass of dust, world's momentary slave, Is man, in state of our old Adam made, Soon born to die, soon flourishing to fade.
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I would say Hope Solo is competitive.
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The beautiful thing about the NFL season is to see a team come together after they get to know each other in the spring and summer. You then go through adversity together and see how you respond. The teams that can respond in a positive way are the teams that are going to be there in the end.
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I don't get hung up on weight.
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On my desk, I always have a lemon or a lime drying. I love the fragrance. Also, a Staedtler eraser, a brush for the eraser and a pencil sharpener.
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Basically, books were a luxury item before the printing press.
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In high school, I played in a Rush cover band.
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You've got to bring yourself to any character you do.
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Our music's got flavor; it's got skill. And we present it really well.
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I'm really close to my mother. She sacrificed a lot for me and my sister. She gave up her career. Whatever I am today is due to the values my mother instilled in me.
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When things are bad, we take comfort in the thought that they could always get worse. And when they are, we find hope in the thought that things are so bad they have to get better.
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For yesterday and for all tomorrows, we dance the best we know.
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My problem is that all things are increasingly interesting to me
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I had to learn to dance for 'The Adjustment Bureau' and it was nearly impossible. I turned up with my knees knocking in my leotard and went home and cried my eyes out.
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Whenever I wore a bathing suit, I kept a sarong around my hips that went halfway down my thighs. The tops of my thighs are like baby skin. Where the sarong ended, I can see sun damage: I've got dark spots and places where there is no melanin. The spots are not pretty, so I encourage everyone to protect their skin from the sun.
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I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular?
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I like the most provocative and most surprising partnerships on stage. Intensity and surprise.
