Nancy Spero Quotes
I guess maybe my art can be said to be a protest. I see things a certain way, and as an artist I’m privileged in that arena to protest or say publicly what I’m thinking about. Maybe the strongest work I’ve done is because it was done with indignation. Considering myself as a feminist, I don’t want my work to be a reaction to what male art might be or what art with a capital A would be. I just want it to be art. In a convoluted way, I am protesting- protesting the usual way art is looked at, being shoved into a period or category.

Quotes to Explore
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I've been told I'm too good looking for certain roles, but that's okay, it just motivates me to go deeper.
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I have never planned to have babies by a certain age.
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I am infinitely grateful to the life which privileged me.
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People think of me as a stereotype: muse, privileged, decorative. Classically, the muses were the inspiration. They'd come and go - they wouldn't actually make things, get their hands dirty. I don't think I'm a muse, although I think I can help pull a trigger. I really like getting my hands dirty.
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We live in the postmodern world, where everything is possible and almost nothing is certain.
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It is not certain that everything is certain, neither is it certain that everything is uncertain.
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A sign now of success with a certain audience when you do a short comedy piece, anywhere, is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.
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There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
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I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.
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I put a lot of weight in what I do, and you and I can talk to each other in a certain way because that's how people interact, but I don't really know how to talk to the entire world.
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I'm fairly certain when I die that the obituary will say, 'Author of 'Angels in America' dies.' Unless I'm completely forgotten, and then it won't say anything at all.
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I didnt like being reminded about how self-absorbed i was. I wanted to be over this, done with this. I didnt want to live in a broken world or a broken me. I wasnt trying to weasel out of anything. I just wasnt in the mood of being on the earth that night. I get like that sometimes when it rains, or when i see certain sad movies.
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I've always kind of known what I like and what I don't. And never felt any pressure to wear certain things or watch certain things... It's hard to explain, but I've just always felt it.
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But if we never acted except when we were certain our motives were pure, we would never act at all.
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In the name of God and humanity I protest!
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I think it's the committee's job to name the strongest possible team, and hopefully if everyone's in their top form, they probably made the best decision.
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The couture is what a certain kind of clientele wears. But it's amusing to do because you do it piece by piece. It's another concept. It's much more work.
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I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
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The only thing we can be certain of in this life is that we can be certain of nothing.
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One of the strongest motives that lead men to art and science is escape from everyday life with its painful crudity and hopeless dreariness, from the fetters of one's own ever-shifting desires. A finely tempered nature longs to escape from the personal life into the world of objective perception and thought.
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I had a certain system at penalties, I always watched the goalkeeper.
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To hell with the rules. I'm going for the unknown.
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I guess maybe my art can be said to be a protest. I see things a certain way, and as an artist I’m privileged in that arena to protest or say publicly what I’m thinking about. Maybe the strongest work I’ve done is because it was done with indignation. Considering myself as a feminist, I don’t want my work to be a reaction to what male art might be or what art with a capital A would be. I just want it to be art. In a convoluted way, I am protesting- protesting the usual way art is looked at, being shoved into a period or category.