Harold Pinter Quotes
Quotes to Explore
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I am a Buddhist.
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For most of my career, I've played roles that were written for other actresses.
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For someone with a background of economic justice, what scared me about climate change is not just that the sea level will rise and we'll have more storms - it's how this intersects with that cocktail of inequality and racism.
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I always say three things make a writer: inspiration, obviously; perspiration, doing the work. But the third is desperation. I'm not really fit for anything else, or to have a real job. That fear drives me. The pressure has always been self inflicted.
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A man's motive in the small actions of daily life, like resting a moment on his pitchfork in the sun and listening intently, may be the most important thing about that man.
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I've never felt like I was born with a silver spoon at all, although I've felt like howling at the moon a lot of times!
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Every entrepreneur knows how agonizingly difficult it is to make the decision to give it your all, knowing that failure is inevitable; the successful ones know that the only way to get back up is through learning from that failure.
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I like the gritty parts of fashion, the design, the studio, the pictures.
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I come from a wonderful country with wonderful people.
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My music is based on melody and when I play the piano, it's as if I'm singing with them. When you try to transform that into a vocal, there was very little adjustment.
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I do comedy to give people an ephemeral escape from the tragedy that permeates everyday life.
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If you're doing a prison show, HBO is the absolute best place in the world to be doing that because you're not going to have to do all that, you know, 'Prison Break' stuff where you can't really behave and speak like people do in a maximum-security prison.
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One of the pillars of 'Cyrano' is recreating a love story and, like any archetype, these great stories tend to be captivating, among other things, because they are made of those universal things that move us.
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That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.
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I think you can overthink dealing with fame. To an extent, you've got to put yourself out there, but I feel like your work should really speak for itself, and I don't feel the need to go and make everyone like me because, to be honest, I'm not looking to be friends with the world. I'd much rather people watch the things that I'm in.
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Government cannot do it all. As we work hard to break welfare dependency and get young people ready for the labour market, we need businesses to give them a chance and not just fall back on labour from abroad.
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Going back into the history of a word, very often into Latin, we come back pretty commonly to pictures or models of how things happen or are done.
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When I have an argument with someone, even with someone I am not very close with, I can't sleep at night thinking about it. It's terrible. But I still manage speak out frankly because I have also been gifted with the ability to read people. I can sense when they start to get irritated with me, and then, I shift.
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In truth, how much time do any of us really have?
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When I got large enough to go to work, while employed I was reflecting on many things that would present themselves to my imagination; and whenever an opportunity occurred of looking at a book, when the school-children were getting their lessons, I would find many things that the fertility of my own imagination had depicted to me before.
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To work with threads seemed sissy to me. I wanted something to be conquered. But circumstances held me to threads and they won me over.
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Apart from the known and the unknown, what else is there?
