Adrian Pasdar Quotes
You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.
Quotes to Explore
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I believe that you can always learn from observation.
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I have great stories. I am going to write a book.
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I don't know if you can catch my vibe, but I'm a pretty laid-back guy.
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I'm an actor. That's what I'm gifted at. It's what makes me breathe.
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I'm the worst employer I could wish for because I push myself hard.
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I started writing while I was a little boy. Maybe it's because I was reading a lot of books I admired, and thought that I would like to write something like that someday. Also, my love for good writing pushed me.
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Most of the Jewish refugees, stripped of their considerable possessions, came to Israel. They were welcomed by the Jewish state. They were given shelter and support, and they were integrated into Israeli society together with half a million survivors of the European Holocaust.
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Sometimes I think that when people become famous, there's a public perception that they are not human beings any more. They don't have feelings; they don't get hurt; you can act and say as you like about them.
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After Versace was murdered, the first person to call me was Mandela.
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A lot of people I've played with see me as a scorer and a shooter. I'm still fast and everything like that, but then, when they see me dunk, it's like 'Oh, damn.'
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The voice has to be very clear at all times in order to convey the emotion.
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In June 1992, I discovered a lump in my breast. A subsequent mammogram, ultrasound and a needle biopsy proved negative. But my instinct said it still didn't feel right, so I had a lumpectomy. I then got the news that it was cancer.
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All of technology, really, is about maximizing free options.
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I don't like rooms you never use or that are wasted space but I also like a sparseness and a cleanness.
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There's an inherent idea that if a Black executive producer and a Black director are going to do a movie based on a Black writer's book that everybody is going to be Black.
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Whenever I see a forecast written out to two decimal places, I cannot help but wonder if there is a misunderstanding of the limitations of the data, and an illusion of precision.
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You have to hit the fastball to play in the big leagues.
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I always wanted my mother to be Queen for a Day. I always used to watch that show that came on television.
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The polite of every country seem to have but one character. A gentleman of Sweden differs but little, except in trifles, from one of any other country. It is among the vulgar we are to find those distinctions which characterize a people.
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The American army between world wars after World War I had virtually disintegrated. It was a very small force, given largely to practicing cavalry charges on western outposts.
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I care not whether the soldiers are of Milesian, Teutonic, African or Angelo-Saxon descent. I despise the principle that make a difference between them in the hour of battle and of death.
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You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.
