Miles Teller Quotes
Quotes to Explore
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Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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I started taking ballet lessons when I was three and a half and I still take dance classes.
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Rock was always part of my heart and soul. But the times just changed and everybody wanted to dance.
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I suppose I've got a natural rhythm. When I was little, I used to just dance a lot and have some fun. I'd never been taught to dance. I've never been to dance school. I do my own little dance moves.
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People assume that because I'm a great athlete, I can dance. But no. My rhythm is off a little bit.
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When we moved to England in 1986, I was ten years old and I didn't know anything about punk or hip hop. The only words I knew in English were 'dance' and 'Michael Jackson.' We got put in a flat in Mitchum, and the council gave us second hand furniture, second hand clothes and a second hand radio that I took to bed with me every night.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
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I've been doing acting since I was 6 years old, and I don't know how to do anything besides act and sing. Back in the day, you had to do it all - you had to sing, dance, and act. I'm from the old school where that is what I was trained to do, and that's what I am expected to do, so it's weird when people ask me to choose.
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I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
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I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together.
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It was extraordinary 'cause I was 17 years old when I first danced with Edward Villella. And we were both young. But I had seen him dance, and he was already a star. So he was just so gentle and wonderful and kind, and we had a great rapport together. He was one of the most exciting dancers of our day.
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You have to stay in shape for dance. I don't want to be too skinny, but I don't want to be overweight. I want to be in the middle.
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I used to break dance. I can do some good James Brown footwork. But now I think I've danced too much. My girlfriend made fun of me: 'Enough with the dancing.'
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I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time.
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The music is at this weird intersection of dance music and indie music. It's not quite dancey enough to do a full-blown DJ set, and it wasn't quite rock enough for a rock band. But I guess it's what makes us unique - drawing from a lot of different influences.
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Where is yesterday? … And where is the fiddler and where is the dance?
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If I do find myself walking up the aisle and dancing at my own wedding reception, I want the first dance to be both spontaneous and dramatic.
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String theory has the potential to show that all of the wondrous happenings in the universe - from the frantic dance of subatomic quarks to the stately waltz of orbiting binary stars; from the primordial fireball of the big bang to the majestic swirl of heavenly galaxies - are reflections of one, grand physical principle, one master equation.
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It's very difficult to make a 100% turnaround. It's tough when you actually do exhibit patterns of bad behavior. You need to have a very strong support system of people who are willing to keep you in your place if you're going to overcome these things.
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For me, as the Government of India, the interest of the poorest of the poorest is paramount.
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In the context of our present pervasive madness that we call normality, sanity, freedom, all our frames of reference are ambiguous and equivocal.
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I've always felt like I can dance.
