Akong Rinpoche Quotes
Quotes to Explore
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I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
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The entertainment industry isn't a line of work encouraged in the Persian culture. When I called my dad to say I wanted to quit medicine, there was about three minutes of silence. I'm not sure he knew what to do with himself!
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My history teacher was utterly terrifying, but her lessons were very inspiring. She got me interested in people and stories, which then led me to acting.
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I love clothes but I have spent so much of my professional life creating an image of one kind or another that it is nice not to care about it in life and let your skin breathe.
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If you're going to sell stock and somebody wants to buy it at a price and that price is not a price you dictate, but demand dictates, sell it to them now.
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I'm a very anxious, nervy kind of loser in many ways, and I get very stressed and a little tense.
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I'm actually beginning to believe that there is something in common among all of my characters. I'm not sure what it is exactly. But I guess that something is me.
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There is nothing I'm any more passionate than empowering the next generation.
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Part of every misery is, so to speak, the misery's shadow or reflection: the fact that you don't merely suffer but have to keep on thinking about the fact that you suffer. I not only live each endless day in grief, but live each day thinking about living each day in grief.
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I've spent a long time avoiding painting and dealing with it from a distance. But as I get older, I'm more comfortable with it.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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In the late '70s, I was falling into the middle lane. I was way too country to be rock, and way too rock to be a country act.
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I got the role I loved the most at a point in my career when most women are being phased out.
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Disease is the tax which the soul pays for the body, as the tenant pays house-rent for the use of the house.
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We have a George Foreman grill on the bus.
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Maybe I am a bit unusual here, but I am less stressed if I have my phone with me. Because I can spend like an hour in the morning taking care of everything instead of I sit there and wonder what I missed or wonder what's happening. So it's way less stressful for me to just answer my phone.
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That's pretty much who I am. I like to get riled up. I feel like it brings the best out of me and the other guys.
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Before I had Toma, I was one of those people who had no interest in other people's kids. I was. 'Don't hand me that baby!'
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I certainly went to New York because I was searching. Most people who go to New York are searching.
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Sometimes you read pilots and, understandably, they're doing such a frantic tap dance for approval. I get why - it's such an incredibly competitive market.
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I would have to say that I have to concentrate more when I'm doing comedy. There are so many details that make up any character, but developing a character for a dramatic role seems to come more naturally.
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I love hip hop. It's such an appendage for me. It's something that's always shaped my experience out in the world.
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I want us to be as good as we say we are and as others think we should be.
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Only the impossible is worth doing.
