Orla Brady Quotes
Quotes to Explore
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Black-and-white always looks modern, whatever that word means.
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My looks have changed. I have laugh lines - not wrinkles.
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A high-brow is someone who looks at a sausage and thinks of Picasso.
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I prefer the smaller acting than big histrionics. It's about reacting and looks, which is often underestimated.
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Every retailer, when they price their goods, looks at their total cost overall. When they have costs go up, they'll price their products accordingly.
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My face looks like a wedding-cake left out in the rain.
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What's nice about concrete is that it looks unfinished.
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What looks like enjoyment is the sneer of contempt. That's not a smile.
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We are all human beings, and we all have insecurities, but it's about being healthy and happy with yourself. I'm not perfect, and I will indulge in pizza and sweets on occasion. The goal is to make the majority of your decisions good for your body. So listen to your body, and treat it like your temple.
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It is not a dirty word, "feminism." I just think that women belong in the human population with the same rights as everybody else... The problem is, "A feminist looks like this, or is like that." We are taught not to like ourselves as women, we are taught what we're supposed to look like, what our measurements are supposed to be. I never hear what measurements men are supposed to be. Just women.
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My torso is short, but my arms are really long and gangly and my legs and my neck, and my feet and hands are really long, and I look like a duck.
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I definitely did look up to John. We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest.
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John's time and effort were, in the main, spent on pretty honorable stuff. As for the other side, well, nobody's perfect, nobody's Jesus. And look what they did to him.
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I do look upon all of life as an episode - which is why the people around me are probably on guard!
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There is no special way a photograph should look.
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I think we're going to have a lot of different looks.
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Look at any black-and-white movie; everybody is smoking.
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The moment always dictates in my work. What I feel, I do. This is the most important thing for me. Everybody can look, but they don't necessarily see. I never calculate or consider; I see a situation and I know that it's right, even if I have to go back to get the proper lighting.
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And the people who say things to you about the way you look and the way you dress, they have nothing more to their lives. That's all they do, and you have something more in you.
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Oh, come on, you must know ‘Leave It Black.’ I see a black door and I’m extremely satisfied with how it looks?
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It occurred to me that no matter where I lived, geography could not save me.
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I've been YouTube surfing a lot lately so I'll Shazam a song that I find or some s - - and type that in on YouTube and just go through all the relateds for it. So it's been a lot of random jazz s - - lately. Like I found Lonnie Liston Smith, and Ahmad Jamal, s - - like that. So that's been very tight.
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I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.
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Girls pour their insecurities into their looks.
