William Francis Buckley (William F. Buckley, Jr.) Quotes
The largest cultural menace in America is the conformity of the intellectual cliques which, in education as well as the arts, are out to impose upon the nation their modish fads and fallacies, and have nearly succeeded in doing so. In this cultural issue, we are, without reservations, on the side of excellence (rather than "newness") and of honest intellectual combat (rather than conformity).
Quotes to Explore
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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Besides black art, there is only automation and mechanization.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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There is nothing, Sir, too little for so little a creature as man. It is by studying little things that we attain the great art of having as little misery and as much happiness as possible.
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Art is the window to man's soul. Without it, he would never be able to see beyond his immediate world; nor could the world see the man within.
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Art is the elimination of the unnecessary.
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Self-censorship is a lie to yourself; if you are going to be trying to seriously create art, to create literary art, and you decide to hold back, to censor yourself, then you are a fool to yourself and it would be better that you kept your mouth shut and did not speak.
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I thought I was going to be a filmmaker but at the same time I was an intellectual and I felt that I could make a contribution to some field, as yet, not invented.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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My wife is a painter, musician, and fiber artist. We married in 1993, and as she worked, I found that my reading about art was helping me understand what she was doing, just as seeing her work gave me a language with which to speak of art.
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The terrifying and edible beauty of Art Nouveau architecture.
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The art of boxing is seeing spaces and being able to take shots. The hitting and being hit have to become one. Your reactions have to be so in the moment. There's no time to think.
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There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate - not to the artist, but to the public, blinding them to all but harming the artist not at all.
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I feel like now fashion is just part of how I think about everything. When I send out a mood board to our contributors every month about our monthly theme, there are photos from our fashion shows, but there are also film stills and album art.
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As a consumer, I don't create art, but I think whatever the message is, art has to touch you.
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When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
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Love isn't an emotion or an instinct - it's an art.
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People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.
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Art becomes a spiritual process depending upon the degree of commitment that you bring to it. Every experience becomes direct food for your art. Then your art teaches you about life.
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I have a nice smile, pretty lips, and big round cheeks. They help me look like a teenager.
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My belief is in the blood and flesh as being wiser than the intellect. The body-unconsciou s is where life bubbles up in us. It is how we know that we are alive, alive to the depths of our souls and in touch somewhere with the vivid reaches of the cosmos.
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We’re talking about something we all want very much to find. And that automatically makes Ed’s conclusions suspect.
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The response you get when you're young like "oh you're just getting laughs because you're a little kid and you're cute". They weren't trying to encourage me at all or tell me to keep pursuing this.
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The largest cultural menace in America is the conformity of the intellectual cliques which, in education as well as the arts, are out to impose upon the nation their modish fads and fallacies, and have nearly succeeded in doing so. In this cultural issue, we are, without reservations, on the side of excellence (rather than "newness") and of honest intellectual combat (rather than conformity).
