William H. Gass Quotes
I usually have poor to absent relations with editors because they have a habit of desiring changes and I resist changes.
Quotes to Explore
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Nuclear power plants must be prepared to withstand everything from earthquakes to tsunamis, from fires to floods to acts of terrorism.
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Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.
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I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
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The usual fortune of complaint is to excite contempt more than pity.
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Dancing has always been a passion of mine.
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I certainly don't have any boundaries myself, but I think I'm very aware of other people's.
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I'm an actor first and foremost, who happens to do improv. I've also done sitcoms, I've done stage.
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I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.
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'Wicked' gave us a story that 'The Wizard of Oz' did not. Two sides to every story.
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If you learn from defeat, you haven't really lost.
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Any acting is a stretch of the imagination. That's your job. Acting is truth in imaginary circumstances. Acting with green screen or a motion capture stage, you're striving for absolute truth in absolutely imaginary circumstances.
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I don't think I will go for an arranged marriage, but I am not against arranged marriages.
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I've had confidence in myself all along. It was just a matter of getting the pieces back in place.
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When I was 16, I had a really big hit in the K-pop world. It was a hip-hop/R&B/pop song. I kinda strayed from that because of the writers I was hanging out with.
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You just can't let anything or anyone get in the way of who you are.
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I was an accidental model. One day I was asked to me a model by a neighbor who was short on models. Then I got into TV.
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My entire career stands on the strong pillars of women-oriented films. This stems from the fact that I am sensitive to the entire aura and mystique of a woman and womanhood.
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I find there's a thin, permeable membrane between journalism and history, and though some academic historians take a dim view of it, I gather a lot of strength and professional inspiration from passing back and forth across it.
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The people who review my books, generally, are kind of youngish culture writers who aspire to write books. When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
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I love writing. I love the swirl and swing of words as they tangle with human emotions.
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I usually have poor to absent relations with editors because they have a habit of desiring changes and I resist changes.
