William Hamilton Maxwell Quotes
Quotes to Explore
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I'm not an A student; I'm not even a B student, but I've gotten a lot better with the reading because of texts. And I can voice-text and say whatever I want to people.
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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I love Tig Notaro; I just think she's so awesome.
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We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard loom weaves flowers and leaves.
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I get some heat for what English people call 'overproduction.' I don't think my older stuff was overproduced, but I do think that sound has dated.
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When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
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If I'm offered a good case in Florida or a good case somewhere else, South Florida will win every time.
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Individuals can spend their money more wisely, efficiently and more humanely than can government.
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And when did mere preaching do any good? Put something in the place of these things. Fill the vacuum of the mind.
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In our world of rampant 'individualisation', relationships are mixed blessings. They vacillate between a sweet dream and a nightmare, and there is no telling when one turns into the other.
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Where evil habits are once settled, they are more easily broken than mended.
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I was always interested in fashion and beauty. I was fifteen when I was scouted in a flea market. Two years later, I arrived in New York. I was in awe because it was like another planet.
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Genes work with probabilities; they don't work with certainties. So most things that you're looking at with these genetic tests, it's not like you're condemned to automatically get the disease or the syndrome. There's a lot of factors in play there.
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People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at a heavy metal drummer. I mean, they're playing with the same amount of ferocity. It's not to say all jazz is like that.
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What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
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To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function.
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I always try to look for the hidden face of the character, the hidden face that we all have.
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From my side, there was no acceptance to this fact that I am any less than anyone around me. So there was a certain discomfort that I felt growing up that I am not seen as I want to be seen as.
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My parents are Italian and British. They live in Berkeley now - we all moved there four years ago.
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I feel like a lot of funders of documentaries today want to fund films that have a social message that is going to yield results.
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My current companion, Gerard de Battista, is the father of my two sons.
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I think that both parties should declare the debt limit as a political weapon of mass destruction which can't be used. I mean, it is silly to have a country that has 237 years building up its reputation and then have people threaten to tear it down because they're not getting some other matter.
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As you get older and wiser you realize that when people are given anything without having to earn it (unless they are physically or mentally utterly incapable of earning anything), they become ungrateful and lazy. They also become less happy.
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Never were two people more opposite in sentiment than my companions.
