William Hamilton Maxwell Quotes
Quotes to Explore
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I'm not an A student; I'm not even a B student, but I've gotten a lot better with the reading because of texts. And I can voice-text and say whatever I want to people.
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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I love Tig Notaro; I just think she's so awesome.
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We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard loom weaves flowers and leaves.
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I get some heat for what English people call 'overproduction.' I don't think my older stuff was overproduced, but I do think that sound has dated.
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When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
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If I'm offered a good case in Florida or a good case somewhere else, South Florida will win every time.
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Individuals can spend their money more wisely, efficiently and more humanely than can government.
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I can stay up watching TV so late.
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And when did mere preaching do any good? Put something in the place of these things. Fill the vacuum of the mind.
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In our world of rampant 'individualisation', relationships are mixed blessings. They vacillate between a sweet dream and a nightmare, and there is no telling when one turns into the other.
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Where evil habits are once settled, they are more easily broken than mended.
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I was always interested in fashion and beauty. I was fifteen when I was scouted in a flea market. Two years later, I arrived in New York. I was in awe because it was like another planet.
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Genes work with probabilities; they don't work with certainties. So most things that you're looking at with these genetic tests, it's not like you're condemned to automatically get the disease or the syndrome. There's a lot of factors in play there.
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People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at a heavy metal drummer. I mean, they're playing with the same amount of ferocity. It's not to say all jazz is like that.
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What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
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If you're black, if you're gay, if you're Latin - we're all the same. We're all the same, and we all want the same: We want to be happy.
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To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function.
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I always try to look for the hidden face of the character, the hidden face that we all have.
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Now from the smooth deep ocean-stream the sun Began to climb the heavens, and with new rays Smote the surrounding fields.
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The American people do not want ambassadorships or any other position handed out to save a party money.
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In the rural South, you have a town of 30,000 people and everybody's pretty much thrown on the same pile of doo-doo. You just learn to make the best of it and live with one another.
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I think that's just part of how it is with making art. Sometimes you're just flooded with ideas, and then other times you're questioning all the ideas you ever had before, and everything is just... lame.
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Never were two people more opposite in sentiment than my companions.
