William Hamilton Maxwell Quotes
Quotes to Explore
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I'm not an A student; I'm not even a B student, but I've gotten a lot better with the reading because of texts. And I can voice-text and say whatever I want to people.
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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I love Tig Notaro; I just think she's so awesome.
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We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard loom weaves flowers and leaves.
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I get some heat for what English people call 'overproduction.' I don't think my older stuff was overproduced, but I do think that sound has dated.
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When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
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If I'm offered a good case in Florida or a good case somewhere else, South Florida will win every time.
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Individuals can spend their money more wisely, efficiently and more humanely than can government.
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And when did mere preaching do any good? Put something in the place of these things. Fill the vacuum of the mind.
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In our world of rampant 'individualisation', relationships are mixed blessings. They vacillate between a sweet dream and a nightmare, and there is no telling when one turns into the other.
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Where evil habits are once settled, they are more easily broken than mended.
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I was always interested in fashion and beauty. I was fifteen when I was scouted in a flea market. Two years later, I arrived in New York. I was in awe because it was like another planet.
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Genes work with probabilities; they don't work with certainties. So most things that you're looking at with these genetic tests, it's not like you're condemned to automatically get the disease or the syndrome. There's a lot of factors in play there.
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People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at a heavy metal drummer. I mean, they're playing with the same amount of ferocity. It's not to say all jazz is like that.
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What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
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To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function.
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I always try to look for the hidden face of the character, the hidden face that we all have.
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From my side, there was no acceptance to this fact that I am any less than anyone around me. So there was a certain discomfort that I felt growing up that I am not seen as I want to be seen as.
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I live in a high-rise apartment building, so I just have two cats. They're both pound kitties. One of them, Dick, is an evil, foot-biting cat. When I write a tiger morph, I'm always imagining Dick.
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When I say I hate nostalgia, I hate things set in the recent past where everything is shiny and new.
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I listen to a lot of old stuff like Smokey Robinson, Marvin Gaye, and The Temptations.
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I definitely don't think I'm going to have a mid-life crisis.
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Never were two people more opposite in sentiment than my companions.
