Caitlin Fitzgerald Quotes
In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.
Quotes to Explore
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The bad news is, I have worked less than I have liked. The good news is, I can look back on my body of work and feel truly proud of the work I have done.
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To me, a bag in a tree is like a flag of chaos, and when I remove it, I'm capturing the flag of the other side. In the end, it doesn't matter how ironic or serious or even effective on a larger scale bag snagging may be.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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When she was younger, my mother was quite committed to Roman Catholicism. But she got disillusioned with it and moved closer to something like Buddhist beliefs near the end of her life.
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I've gone very far, far away, but my character keeps me close to home.
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I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
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I've done stuff in the past and followed in the footsteps of my heroes, and each time, it felt a little bit surreal.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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Is Europe going to be breaking? I don't think so. I think the euro will stay. I think at the end of the day Europeans will find the solutions in order to hold Europe together.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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In my life, I've never really listened to when people start forming opinions on how you should be doing things.
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If we had a party every time someone died on 'The Following,' we'd never get anything done.
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I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
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I'm a career prosecutor. I have been trained, and my experience over decades, is to make decisions after a review of the evidence and the facts. And not to jump up with grand gestures before I've done that. Some might interpret that as being cautious. I would tell you that's just responsible.
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Everybody either hates or loves John Cena; there's no medium. I feel like that I've accomplished something when I get people to cheer for John Cena. I feel like I've done something.
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I take the work seriously. Which is why I always swing for the fences whenever I voice a character. But that said, I don't take myself all that seriously.
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It seems pretentious to assume that we are not creatures of action. I think often it takes a situation of extreme absurdity, extreme action, to push us to the limits of what our character is, and to change us as people.
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In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.
