Kate Adie Quotes
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Twenty-four hour news delivers people who stand and talk to camera rather than deliver reported packages with their own camera crew where it's happening.
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I've never been one to sit around and eat my heart out. Life's too short.
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In any war, there is a concealment of certain kinds of setbacks because it's propaganda for the enemy.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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On the Northern Ireland question, for instance, the British and Irish governments prohibit media contact with members of the IRA, but we have always gone ahead, believing in the right to information.
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I never desired to go into war zones. I never had any thought about it. It sort of just happened as part of the job.
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On the whole, when the unexpected danger happens to you, you're thinking so fast, you're thinking so hard, every bit of you is alive to 'What should I do?' 'What can I do?' There isn't a lot of time for contemplation.
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In Sierra Leone last year there was just the two of us hanging out of a helicopter and, when we were in Bosnia, I drove an armoured vehicle, thousands of miles.
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The better the information it has, the better democracy works. Silence and secrecy are never good for it.
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I don't find an advantage or disadvantage in being a woman when reporting. What little advantages there might be in some instances is cancelled out by the basic lack of lavatories round the world for women.
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No two wars are identical.
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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I have nothing to do with the selection of stories. I'm the reporter.
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There was no equal pay law when I started working. I was no different to any other woman in any other job at the time.
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I have no time for the endless nostalgia: 'Oh gosh I used to . . . ' Life is too short; I don't have any time for sitting and saying I miss things. What's the point? Go and do something else.
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I sailed through my childhood with a complete lack of any drama.
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I also read modern novels - I have just had to read 60 as I am one of the judges for the Orange Fiction Prize.
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I have never been attracted to any kind of violence.
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If I'm in danger then it's usually my fault and it's up to me to get myself out of it. I am not in it just to get an adrenalin rush. No way!
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Now children as young as nine carry AK47s which can kill 30 people in seconds.
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People always seem to assume that we have a full, back-up support team - make-up, costume and a driver - but usually, in a war zone, there's only me and the cameraman.
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War zones are dangerous, protests can be violent, also, natural disasters are difficult to cover, so there are going to be risks.
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When you are covering a life-or-death struggle, as British reporters were in 1940, it is legitimate and right to go along with military censorship, and in fact in situations like that there wouldn't be any press without the censorship.
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But in the first Gulf war the United Kingdom was not under any threat from Iraq, and is still less so in the second one. Then there is no justification for obstructing freedom of information, particularly as nations have a right to know what their soldiers are being used for.