Gary Gygax Quotes
Quotes to Explore
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My role is to embody the Black Opium woman - I suppose you have to be the living embodiment of all the intangible things the brand stands for.
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And think of how we challenged the idea of a male dominated Parliament with All-Women shortlists and made the cause of gender equality central to our government. We were right to do so.
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I don't think that any political party should claim Jesus as being a part of a political party.
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Born with blue spectacles, you would think the world was blue and never be conscious of the existence of the distorting glass.
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You're never going to read 'The Wealth of Nations,' and you shouldn't, really. It's 900 pages.
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The upward course of a nation's history is due in the long run to the soundness of heart of its average men and women.
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I trust every lead in every department. All of the teams are phenomenal artists. All I need to tell them is why to do something, not how to do something.
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I've done a lot of costume dramas and things that are set in the past, and it's great to be able to have things that you can research and material that you can look at.
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Most artists, their 60th show was in front of no one. My first show was in front of 1,200 people.
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Everybody in the black community must organize, and then we decide whether we will have alliance with other people or not, but not until we are organized.
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We are all murderers and prostitutes - no matter to what culture, society, class, nation one belongs, no matter how normal, moral, or mature, one takes oneself to be.
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I always have coffee and porridge for breakfast.
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Take good care of our fragile planet.
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All my friends are like, 'Can you be on my side in the zombie apocalypse?' and I'm like, 'I got this.'
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I think if you're everyone's cup of tea, that probably means you're a little bit boring, or you're not pushing yourself. Creativity happens where it's dangerous and scary: where you're not comfortable.
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I get bored pretty easily and I don't want to get locked down in one profession.
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Women become the objects of rules; they are repressed and lose their rights in the name of religion, or they lose their freedom in the name of tradition, while the state legitimates this foolishness with laws.
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I have been extremely lucky with reviewers and critics throughout my career.
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My best friend is my husband.
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White people couldn't do black music back in the day because they weren't funky or bad enough. They weren't from the ghettoes, but hip-hop and R&B changed all of that because white kids want to be down with it. They wanted to learn it so they studied the culture. It's kind of a cool thing because we shouldn't be so separate.
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It's impossible for me to feel like there's only one way to do a thing. There's nothing wrong with having one way of doing it, but I think it's a bad habit. I believe in range. Like, there's a lot of tunes that I play all the time-sometimes I hear 'em in a different register. And if you don't have complete freedom, or you won't let yourself get away from that one straight line, oh, my goodness, that's too horrible to even think about.
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I don't want everything to be flowery perfection. I like it there to be a charge behind it, you know?
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The secret we should never let the gamemasters know is that they don't need any rules.
