William James Quotes
Quotes to Explore
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Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
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Love isn't an emotion or an instinct - it's an art.
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When I'm away from the field, I show a little more emotion and stuff.
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All my career, all that I've really done has been based on emotion and intuition and gravitating toward what sounds good.
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Sex is emotion in motion.
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'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
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The definition of a musical is that the emotion is so strong that you can't talk anymore, you have to sing. The emotion isn't strong enough when you're just like, 'Let's take a second to sing about lamps!'
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I don't look at computers as opponents. For me it is much more interesting to beat humans.
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Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.
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I'm not an autobiographical writer, but I am a writer who deals with human emotion on all levels.
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To learn your artistry and to be able to perfect that, is overwhelming. Especially when you are exuding love. The human emotion is a very delicate thing, so you have to be careful about how you present it because it can be kind of scary, or too overwhelming if you're not careful. So I try to just keep it love.
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It is not a dirty word, "feminism." I just think that women belong in the human population with the same rights as everybody else... The problem is, "A feminist looks like this, or is like that." We are taught not to like ourselves as women, we are taught what we're supposed to look like, what our measurements are supposed to be. I never hear what measurements men are supposed to be. Just women.
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When I perform on stage, I often pretend to be someone other than myself to bring a certain emotion or intent to a song.
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To know that everything we say and do to this new little human being may have a profound effect on him or her is a daunting obligation.
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Fear is the one emotion that unleashed can destroy anything and anyone.
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I think in terms of emotions. And feelings. So sometimes what I say may not always be clear. But creatively, there's a lot to be said for that way of thinking.
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All humans are frightened of their own solitude. But only in solitude can we learn to know ourselves, learn to handle our own eternal aloneness.
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I love red and I think it's more than just a color: It evokes an emotion. When you wear red, it makes you feel empowered and sexy. For me, sin is all about temptation and the power of seduction. Red Sin is a combination of those elements to make women feel irresistible.
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You used to have to sing and convey emotion, and now, well, technically you can do anything with technology. It sucks for music today, but that's why that old music feels so good to me.
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The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.
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I do not regard flesh-food as necessary for us at any stage and under any clime in which it is possible for human beings ordinarily to live, I hold flesh-food to be unsuited to our species.
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A purely disembodied human emotion is a nonentity.
