Natasha Trethewey Quotes
Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
Quotes to Explore
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I don't know how many people have ever seen the National Guard break in somewhere, but they mean business.
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For me, acting is becoming naked in front of people, you know? And when you know in the back of your mind somebody is testing you, you cannot really bare yourself. That's a feeling I always have when I'm auditioning.
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I am an invisible man. I am a man of substance, of flesh and bone, fiber and liquids - and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me.
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We want to encourage people to talk to one another.
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If I were to listen to people all the time when they say, 'Hey, this is a really high challenge, this is a high climb, the bar is pretty steep,' then I wouldn't have gone to the academy. I wouldn't have become an aircraft carrier pilot. I wouldn't have become a Navy SEAL for sure. And I probably wouldn't have applied to Harvard.
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I've heard people tell me there's never been a gay character like Agron on TV before, and some fans have even thanked me because they now feel like they have a gay action hero, and it's very endearing to hear that kind of stuff. But I just played him the way he was and tried to do right by the character.
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I cannot believe how much love people have shown me.
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I've kept a journal since I was 15. And I feel like it's been crucial to who I've become and trying to maintain stuff, a sense of who I am just for myself and not for other people.
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If you don't feel like you're ready to get your license - just because people are putting pressure on you, don't feel like you have to rush into something. Take your time, really feel confident and be ready. It doesn't matter what other people say, do what's best for you and makes you feel safe.
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I want to prove that if you write in strict meter and rhyme about subjects people care about, they will buy poetry.
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In order to fully realise our aspirations, we must create in the masses of the people the sense of sacrifice and responsibility that has been the characteristic of the anarchist movement throughout its historic development in Spain.
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The truth is everybody does it from time to time. People dial telephone numbers and they get a wrong number only to find that they've read the last two digits backwards. Everybody does it, but dyslexics have this tendency to a higher degree.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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If you're having a down time at school and people are bullying you, they don't know you. They don't have the right to have an opinion on you.
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People really do not have time to read all the newspapers in the world and all the sites that we now commonly use on the web. There is no possibility of keeping up.
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Here's my whole marketing idea: treat people the way you want to be treated.
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Quite understandably, people think that if there's a six-year gap or whatever, that it's taken me six years to make the album. It's not really like that at all.
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I'm fascinated by the capacity to be able to do harm. I struggle every day with the ability of people to do evil. Not just the big things - the petty things that people do in order to make someone feel small, when it's so easy to do, and it hurts so much.
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I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
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It is very common for people to come up to the cast members and say, 'Our family is OK now because of 'Transparent.''
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In the following pages I have endeavoured to describe all that appeared to me most important and interesting among the events and the scenes that came under my notice during my sojourn in the interior of Africa.
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As a novelist, I feel lucky that I can traffic in nuance. I'm more interested in looking at how things change over time, at how people try and sometimes fail to make meaning out of their lives.
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Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
