Natasha Trethewey Quotes
When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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I'm not very good in crowds, so I usually try to become as small as possible.
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My father was the proprietor of a music shop on Forty-third Street, where many of the finest performers and musicians of the day would come to shop. He knew the classical repertoire inside out.
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Every hero becomes a bore at last.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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If you be faithful, you will have that honor that comes from God: his Spirit will say in your hearts, Well done, good and faithful servants.
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I'm a mother of a three-year-old, but when I started 'California,' my son wasn't even a twinkle in my eye. Because the book took as long as it did, I wrote it before I was pregnant, while I was pregnant, and as a new mother - so I enjoyed a diversity of experiences while creating this world.
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I wanted to get a cropped hairdo, but Sreenu Vaitla loves my look in 'Chiruta,' so he suggested that I keep the long hair.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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I don't see myself as a diva at all.
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There are no limits to our future if we don't put limits on our people.
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It's one of the hardest things in life - choosing your own name.
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I think that 'Lost' is a bit of a dinosaur in terms of the type of show it is. The economics just don't support making a show this big and complicated profitable enough for a network.
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At the end of the day, the position is just a position, a title is just a title, and those things come and go. It's really your essence and your values that are important.
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There is a profound difference between information and meaning.
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I always loved Sam Cooke, because he seemed very versatile. He sang gospel, soul, blues, pop music.
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I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.
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I think what is British about me is my feelings and awareness of others and their situations. English people are always known to be well mannered and cold but we are not cold - we don't interfere in your situation. If we are heartbroken, we don't scream in your face with tears - we go home and cry on our own.
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I am thinking it right but beating it wrong.
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I still don't really feel like a bass player.
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Spatial intelligence is virtually left out of formal education. In kindergarten we give children blocks and sand with which to build. Then we take those things away for the next twelve years of their education and expect kids to be architects and engineers.
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I like to read in my own house, in any of the rooms I always mean to paint or otherwise improve and never do. Every detail is so familiar to me that it makes almost no claim on my attention.
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When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
