Miranda Richardson (Miranda Jane Richardson) Quotes
Quotes to Explore
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Indians invest more in Britain than in the rest of European Union combined. It is not because they want to save on interpretation costs, but because they find an environment that is welcoming and familiar.
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I knew I didn't want to make a country record just because that's not really what I would have ever made as a solo artist.
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I want to do my hard dives really well, I want to see what my true potential in this sport really is. I want to grasp that.
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We want to encourage people to talk to one another.
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I don't like getting out when I could be painting. And when I'm painting, I don't want anybody else around.
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I want every Grammy.
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If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
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If you're passionate about your work, it makes the people around you want to be involved too.
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At the center of your being you have the answer; you know who you are and you know what you want.
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I definitely don't want to do drama. I'm not looking to branch out into that world.
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I have already seen death, and I know that death is supporting me in my cause of education. Death does not want to kill me.
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Exceed your customer's expectations. If you do, they'll come back over and over. Give them what they want - and a little more.
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I really like boats. If you want to go somewhere, you just take your house with you.
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I have no intention of lingering through a season, just to have a chance to be an alternate on a relay. I don't want that.
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It's really easy with makeup to look like you're trying too hard, like a clown. That's not what you want!
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A lot of people want to discredit me.
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I opened up every can of worms I could. I got to the place where I would peel back one layer, and then another layer, and the stuff that would come up underneath was so inspiring, it made me want to write about it.
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Women want to feel wanted. Men want to feel needed.
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I want to fuse the abrasive and the beautiful.
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I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
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All real success springs from that inward might which we exert upon society.
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The gap between a dumb and a clever person may appear large from an anthropocentric perspective, yet in a less parochial view the two have nearly indistinguishable minds.
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The nineteenth century, especially the second half of it, was a time of restatement in Ireland. After the famine, after the failed rebellions of the Forties and Sixties, the cultural and political desires for self-determination began to shape each other in a series of riffs on independence and identity.
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I wouldn't want to go back to my 20s; they were pretty angst-laden times.
