Harmony Korine Quotes
I never feel like there's any one point to the film, to anything, to any of the movies I've made.
Quotes to Explore
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It is not possible, given any degree of optimism and generosity in regard to people in general, to set a time limit on creative reflection or a limitation on the number of people involved in the creation.
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Traditionally, music has been a means of separating ourselves as people from another group of people.
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The next step for me with the Up is how it talks with the rest of the home. It's an object that can tell the home where I am and what I'm doing.
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I am always early to work but sometimes late to other things.
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Many leaders of big organizations, I think, don't believe that change is possible. But if you look at history, things do change, and if your business is static, you're likely to have issues.
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I think if you give in and accept society's stereotypes, then you start thinking, 'I cannot dance till late at night because I'm 70.'
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But, when Scripture makes a clear distinction between the act of creation and the process of preservation, we cannot accept the idea of a progressive creation process.
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I literally was saved by a role, from becoming a cab driver. I never did have to wait tables, though, so looking back I guess I had it pretty soft.
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I'm not strict on my calorie count; I just pay attention to my body.
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My friends tell me I have an intimacy problem. But they don't really know me.
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I wanna live 'til I die, no more, no less.
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After having children, life becomes about living beyond yourself; about being bigger and better.
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'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.
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A guy will promise you the world and give you nothin', and that's the blues.
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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I kept thinking, 'this must be the coolest job - I'd like to be a professional baseball player.' They were getting paid to play a game, and what a cool lifestyle that was.
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Being someone with Latin roots, so many doors are constantly closed for you because people put you in a category, and the thing I've always wanted to avoid is categorisation.
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I got into television, and I'm a television guy, so I've never really had a movie career.
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It's fun to play dress up for work, but when you have those off-days, it's nice to just be low-key.
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My entry into the environmental arena was through the issue that so dramatically - and destructively - demonstrates the link between science and social action: nuclear weapons.
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Here in Indiana and in many states throughout the union, we rely on coal to power our homes and provide good-paying middle class jobs - like the one my family relied on when I was a kid. The coal mine helped put food on our table and helped me pursue an education and realize the American Dream.
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I never really fitted in, because I've always been interested in really dark things.
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Let's say a Soviet exchange student back in the '70s would go back and tell the KGB about people and places and things that he'd seen and done and been involved with. This is not really espionage; there's no betrayal of trust.
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I never feel like there's any one point to the film, to anything, to any of the movies I've made.
