Harmony Korine Quotes
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I had these experiences as a kid; I remember certain things happening in school that were horrifying that I would see, certain things of violence or certain things of cruelty, but around that, something might happen afterwards to cause everyone to laugh, and that always blew me away.
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Cinema sustains life. It captures death in its progress.
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I always try to make films in such a way that it's hard to imagine how they came to be, or where they came from.
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I was born 'Harmony,' and it was weird because when I was a little kid, I was picked on so much that when I was 13, I changed my name to Harmful. I thought it was a tougher name, so I had it legally changed. And then, I don't know, it just didn't seem to catch on, so... legally, my name is still Harmful, but I just said I'll go back to Harmony.
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Ever since I was little, I would just make stories up in my mind. It was based on people I saw in the street or someone I would talk to, or I would hear a specific voice.
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You can still make music that people love, but there won't be more innovation. I started listening to electronic music a long time ago. But mostly I listen to rap. I think rap is the most interesting.
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I don't listen to music made by white people. I especially hate anything where a guitar is used. I don't listen to white people and guitars.
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When I had my first camera - I was a child of the '80s. I remember what it was like reusing the same tapes over and over again, and having really bad quality and images kind of bubbling up from under the surface.
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I was free when I was 12 because I got my first skateboard. I've been free ever since.
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Rap is the only interesting music left - it's the only genre that's still pushing itself, and experimenting in a way that I find exciting.
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I've always liked street lights, and I've always photographed them. I probably have a collection of two to three thousand photographs of them, just around the city, mainly at night.
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I have a pretty good family. But ever since I was little, I just felt like I wanted to be on my own. It was the same thing about school.
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If I see something that's morally ambiguous or ambiguously beautiful or has some pull in some way, I won't censor myself; I always run towards the light.
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I don't make movies for the same reason that a lot of people do. I make films because I need to see them exist in a very specific way.
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I've just always liked watching people dance. I can't explain it. It used to just make me laugh.
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I'd always heard stories about how Harpo Marx was the most talkative of the Marx brothers. I found it interesting that someone you never got to hear speak in films would never not speak in real life.
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I've started lots of books, but it's hard for me to finish them.
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When I was a kid, I loved Nicholas brothers films. It was like skateboarding. Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding.
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I don't even know how people read new fiction anymore because there's so much old fiction that exists that seems great that's unread. It's overwhelming to me. But, I mean, I do read. But there probably haven't been many people less literate than me that have been in 'The Paris Review.'
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Skateboarding was everything to us growing up. It changes the way you see the world: you spend all day looking for ditches.
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When I'm directing films, I mostly try to create an environment on set that mimics what's in my mind as to the tone and feel of things. I try to create a place where you feel that anything's possible.
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What makes Gucci Mane Gucci Mane is like what made Frank Sinatra Frank Sinatra - it's just him. He's trap's Frank Sinatra.
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I studied writing at NYU. I graduated high school in Nashville and then went to the creative writing program, and in the first year, that's when I wrote 'Kids.'
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Everything has to have some kind of a point for people to breathe easy. What's the point of life? I have no clue, but sometimes there are things that just attract us and pull us in a certain way.