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I wrote a novel, so now they can call me a novelist. I tell stories; that's it.
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I'm kind of in love with my theater agent. I'm a true naive about the theater, a total innocent.
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I always call myself either an optimistic pessimist or a pessimistic optimist - I'm not sure which way it goes.
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Empathy is what obsesses me. And watching empathy recede in the world is terrifying.
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So writing stories is not easier in comparison to the playwriting or translation; the stories are easier in league with them.
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There's no safety in anything, but in the arts, there is really this idea of no promises. I didn't follow the writing dream for safety.
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For a book to function... it has to be a functioning reality. The character has to be real, and I imagine that's exactly what happens for a spy who is in deep cover.
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I'm very interested in how people change.