Hank Aaron Quotes
Quotes to Explore
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As you get older, challenges arise that you aren't prepared for, but what got me through it was music.
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Acting is an odd lifestyle. You make deep bonds quickly and, though you move on, you go around on a loop and see people again.
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I think I'm a critic of corporate power, whether locally or globally. And the term 'globalization' I've never found all that helpful.
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I loved being on the set of 'Field of Dreams' because I hung out with the baseball players all day, played cards, flirted with Ray Liotta, and had a ball.
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I feel like we've already seen the burger truck, we've seen the lobster-roll truck. There's even healthy-food trucks now. But a big-thick-pizza truck? Come on, man. That'd be amazing.
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As biologists, we contemplate with admiration and awe the wondrous array of sophisticated cell interactions and recognitions evolved in the T cell immune system, which must be a model for other similarly complex biological systems of highly differentiated organisms.
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Norma Bates is insanely crazy, but you can't help but love her.
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Software-industry battles are fought by highly paid and out-of-shape nerds furiously pounding computer keyboards while they guzzle diet Coke. The stakes aren't very dramatic. Life? Liberty? The pursuit of happiness? Nope, it's about stock options.
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When I was younger I wanted to be a gymnast, but they have to be quite short - I was tall.
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It will be disastrous when a leader or manager shows up with one attitude one day and treats people with a different attitude the next day.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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Film and television are so piecemeal. You do one scene, and then you put it to bed, and then you do a scene that comes before. In a play, you have to go from beginning to end every night, and that's harder, but also more fulfilling in a way.
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Everyone is always working on their body and trying to make it the best that they possibly can. That's what I do every single day, mostly for performance, but also just for me.
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Experimental science is fascinating, but I don't want to do it. I want other people to do it, and I'll read about it.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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There's a difference between a failure and a fiasco... a fiasco is a disaster of mythic proportions.
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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I was eight when I left Sarajevo, so I didn't really know very much about my culture and it was so important for me to go back to my roots and meet the people.
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I think one reason my books have found mainstream success is that they're written from a skeptical point of view.
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Instead of this confusion, we need the unifying force of an official language, English, which is the language of success in America.
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The '60s in London obviously brought about the explosion of music, the 'Beatles' especially, and then the 'Rolling Stones' and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our 'nouvelle vague' in Britain, films that talk about real life.
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The same basic ingredients are found repeatably: fueled by initially well founded economic fundamentals, investors develop a self-fulfilling enthusiasm by an imitative process or crowd behavior that leads to an unsustainable accelerating overvaluation.
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Failure is a part of success.
