Albert Paley Quotes
At first when I realized I was a romantic, I was sort of shocked and shamed. But it is true... that the material I work most with is emotion.
Quotes to Explore
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I am a hopeless romantic and I love to spoil my girlfriends.
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I sail, run dogs, ride horses, play professional poker and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire.
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I am not fearless. I get scared plenty. But I have also learned how to channel that emotion to sharpen me.
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I have tender, romantic associations with upstate New York.
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When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I don't like the way recording to digital sounds. Most of the time, when I'm recording to two-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.
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The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.
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When I'm away from the field, I show a little more emotion and stuff.
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I don't know if it's possible to live the rock 'n roll lifestyle and still be romantic.
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Sex is emotion in motion.
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When you start off acting, it does seem very romantic, and the make-believe part of it all seems very exciting. It's only later that you begin to realize how fascinating the work is - that it's a bottomless pit, and you never get to the end of it.
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I've always loved the language of flowers. I discovered Kate Greenaway's 'Language of Flowers' in a used bookstore when I was 16 and couldn't believe it was such a well-kept secret. How could something so beautiful and romantic be virtually unknown?
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I'm a bit of a romantic. In theory!
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Romance is dead - it was acquired in a hostile takeover by Hallmark and Disney, homogenized, and sold off piece by piece.
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'Bombay Velvet' is my most romantic film, it's my 'Titanic' or 'Gone With The Wind.'
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How did I go from 'Menace II Society' to 'Love Jones?' There wasn't a poetic moment or romantic bone in O-Dog's body.
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I really don’t see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty.
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The state of being in love is so inherently preposterous. It usually lends itself to romantic comedy. I think we've all been there.
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Right away I think of two books - 'Wuthering Heights' and 'Rebecca' - and of just sinking into them as a young reader. I think they must have appealed not just to my romantic adolescent soul, but I suppose there's also an appealing darkness in both of them.
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Now, with social media, it's a whole different world, which is good and bad. Back when I was in college, when there was no Twitter, no one knew what Vera Wang looked like - there was no face to the brand.
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I love the Spider-Man story. I watched the cartoon on TV when I was a kid, and my brother wore his Spider-Man pyjamas everywhere.
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If you have children, you worry about the world you're leaving them.
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At first when I realized I was a romantic, I was sort of shocked and shamed. But it is true... that the material I work most with is emotion.
