Albert Watson Quotes
Really good portraiture is a two-way street where someone is throwing little gems out and you're grabbing them. Very few people have a 100 percent fluency in being able to do to do this - this kind of magical reaction with a camera.
Quotes to Explore
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I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
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I am a pop culture person. And car people have clearly contributed to pop culture, which is how I knew about purple French tail lights and 30-inch fins without exactly knowing what they were.
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If I didn't believe in what I'm doing, I'd rather go to work in a dime store.
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Blues is a tonic for whatever ails you. I could play the blues and then not be blue anymore.
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Guided only by their feeling for symmetry, simplicity, and generality, and an indefinable sense of the fitness of things, creative mathematicians now, as in the past, are inspired by the art of mathematics rather than by any prospect of ultimate usefulness.
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Extremism is always potentially dangerous, but in Hungary's political reality, Jobbik and the other far-right parties have no chance of having a major influence.
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We must remember that as the centuries go by, time will pass.
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I'd say 80 percent of my auditions go very horribly.
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One of the main lessons I have learned during my five years as Secretary-General is that broad partnerships are the key to solving broad challenges. When governments, the United Nations, businesses, philanthropies and civil society work hand-in-hand, we can achieve great things.
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When you're around me and really see that all I do is live and breathe for my work, it's not strange, it's just Gaga.
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My experience of ships is that on them one makes an interesting discovery about the world. One finds one can do without it completely.
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My album is very uplifting and positive and fun. That was my mission - to get people up on their feet and escape the seriousness of life.
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I used to dress like Roger Taylor when I was ten because I thought he was cool. In high school, I used to dress like Stephen Perkins from Jane's Addiction because I thought he was cool. You just want to be those guys when you're that age.
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It is a great honor for me to be able to express my sincere gratitude to the Nobel Foundation.
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In hindsight, if I could go back in time and relay a message to my younger self, I would tell him to work on his time keeping, and that the job of a drummer is not to be the one that gets noticed the most on stage, or to be the fastest, or the loudest. Above all, it is to be the timekeeper.
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It is not just for a few states to sit and veto global approvals.
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If I don't explain or tell some of my experiences, I feel like I'm doing guys a disservice because I know as a younger player, there's things I could benefit from the experience of an older guy.
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I'm not really a femme fatale.
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I was about 10 when I got into nuclear science. That was when that spark hit me. It took a few years of research, but when I was 14, I produced my first nuclear-fusion reaction.
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I think I may just enjoy being behind the camera as much as I like being in front of it.
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With the camera, it's all or nothing. You either get what you're after at once, or what you do has to be worthless. I don't think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing.
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Aging on camera is just very hard. I love my age. I feel good about myself but high definition television is not kind. You don't even look like yourself in high-def. It just makes every little line on your face more exaggerated so it ends up aging you. It's like you're watching yourself seven years older.
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What a conception of art must those theorists have who exclude portraits from the proper province of the fine arts! It is exactly as if we denied that to be poetry in which the poet celebrates the woman he really loves. Portraiture is the basis and the touchstone of historic painting.
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Really good portraiture is a two-way street where someone is throwing little gems out and you're grabbing them. Very few people have a 100 percent fluency in being able to do to do this - this kind of magical reaction with a camera.
