Aleatha Romig Quotes
Quotes to Explore
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I don't know how much the economy has changed since Jonathan Swift's 'A Modest Proposal.'
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I think that we are all much closer to our childhood selves than we often think, so when we read about childhood, it can surprise us how immediate or moving it is, when perhaps those feelings are just there, waiting to be accessed all the time.
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You can never plan the future by the past.
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A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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Elvis was just like a big old kid. It was like he never got past 19, I don't think, in a lotta ways.
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My dad is Irish. I spent my childhood going back and forth between Ireland and America.
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Every event that a man would master must be mounted on the run, and no man ever caught the reins of a thought except as it galloped past him.
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My older brother, Jake, and I had a bohemian childhood. My parents are deeply unconventional people from the beatnik generation. They weren't married, and I thought that was normal. We called them by their first names.
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I have made good judgments in the past. I have made good judgments in the future.
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I was born in a very poor family. I used to sell tea in a railway coach as a child. My mother used to wash utensils and do lowly household work in the houses of others to earn a livelihood. I have seen poverty very closely. I have lived in poverty. As a child, my entire childhood was steeped in poverty.
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The Japanese covet important symbols - their heroic past as enshrined in Yasukuni, the Imperial family which has never been sullied by scandal.
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This day is a day that is proud to me, having occupied the position that I did for the past twelve years, and been misunderstood by your race. This is the first opportunity I have had during that time to say that I am your friend. I am here a representative of the southern people, one more slandered and maligned than any man in the nation.
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Our image of happiness is indissolubly bound up with the image of the past.
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If the past is a house of many chambers, then the present is the most recent coat of paint.
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We fret ourselves to reform life, in order that posterity may be happy, and posterity will say as usual: 'In the past it used to be better, the present is worse than the past.'
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The only difference between the Bel Air of the '90s and the Bel Air of my childhood is that now the nannies are Latina instead of British, and the cars European instead of American.
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I have dual citizenship; it just so happens I live in America. I would like to go back to Wales. I'm obsessed with my childhood, and at least three times a week dream I am back there.
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I had a very happy childhood, but I wasn't that happy a child. I liked being alone and creating characters and voices. I think that's when your creativity is developed, when you're young. I liked the world of the imagination because it was an easy place to go to.
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I guess the biggest difference from the things I've done in the past is that my work will be more narrative-driven adult films or vignettes, not just "gonzo" scenes, which are straight sex, no storyline.
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I love to be in the moment. I love to analyse things a bit.
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Winners lose more often than losers lose.
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Childhood was the past. It couldn't be changed, only remembered.
