Misty Copeland Quotes
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Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments.
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The path to your success is not as fixed and inflexible as you think.
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I just try to approach every opportunity on stage, as if it's my first time and my last time.
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Take advantage of the resources around you and the relationships you build!
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You can do anything you want, even if you are being told negative things.stay strong and find motivation.
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The woman represents ballet. She is most important, powerful and vital to it. Therefore, she is not "less than" a man. If anything she is "more than" in this field.
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Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.
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Ballet.something pure in this crazy world
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Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.
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Different mentors throughout my life have supported and guided me to remember that I do have the strength, courage and talent to do whatever I want to do.
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I just want to leave a positive memory of setting an example and bringing our youth with us.
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I think most people don't really understand all that it takes to stand on your toes, and to be able to jump and land without any noise, or for a male dancer to be able to lift a girl. All of these things look so effortless, but there's an attention to detail and years of training, as well as being able to transform into a character and being able to meld all of those things together.
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You're always working to improve, and you're always being critiqued on your next performance. It's not about what you've done. There's always room to grow.
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I know I will never let myself be complacent in life.
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Success is not easy and I think everyone should know that hard work and perseverance and being open to giving back are so much more powerful than stepping all over people to get to the top.
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I had no idea what I was walking into, and the years and years of hard work it would take. I felt like an outsider and like it was never going to happen. But even if I would have known, I think I still would have done it. Dancers are perfectionists, and that's what keeps us going and growing.
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You can dream big and it doesn't matter what you look like, where you come from.
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There are muscles that we have in our feet that most human beings don't even know that we have. The strength that we have is so detailed.
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I will push myself in different ventures that I believe will make me a better artist, dancer and person.
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My body is very different from most of the dancers I dance with. My hair is different than most I dance with. But I didn't let that stop me. Black girls rock and can be ballerinas.
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I haven’t come from the typical path or background of someone who would make it to this level as a ballerina. When it came to my childhood-growing up in a single-parent home, often struggling financially-my mother definitely instilled in me and my siblings this strength, this will, to just continue to survive and succeed.
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Ballet found me. I was discovered by a teacher in middle school. I always danced, my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me.
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I think that training is the key, definitely, and I devoted my life to it.
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I feel like I represent every young dancer, and even non-dancer, who felt they were not accepted by the ballet world. I'd like to think that they can see themselves in me.