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I never plan anything in an analytical way before I shoot, but when I look back there seems to be kind of a primary color palette.
Alex Prager -
“I think the worst reaction that I could get from someone to my photos is some sort of mediocre, middle-range reaction where they really get nothing from it, and they want to move on to the next thing. I'd rather they be horrified, pissed off at me, extremely disgusted at how bad of an artist I am.”
Alex Prager
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“With photography, I like to leave a lot of the story, even to myself.”
Alex Prager -
It's hard for me to approach a film as a still image now that I know exactly what it takes to make a movie. I mean, I know what it takes to make a movie that lasts five minutes.
Alex Prager -
I never thought about the green, but LA has a lot of greenery.
Alex Prager -
I think that's one of the reasons it's nice to leave out a lot; it can become a lot more personal to people if there is room for them to put their own experiential time track on it.”
Alex Prager -
“The eyes sparked a lot of things for me, it could be somebody remembering something they had witnessed or heard about, or it could be the person in the photograph that was experiencing a tragedy or it could also be the spectator looking on from a safe distance.”
Alex Prager -
“When I'm shooting in other cities, I'm just trying to make it look like California.”
Alex Prager