Harrison Ford Quotes
That film What's My Line was very useful to me because it had Branch Rickey in a social situation. Every other bit of film that I had was him making a speech.
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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I've only used my own voice about four times on film.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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I'm just one of those people that if I sit down to watch a horror film, I put my hands over my face and I cry a lot and I don't see half of the film because I'm too upset.
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I did martial arts since I was 10 years old, and I've got as much love for the movies as I have for martial arts, so when I was 18 years old, I started studying performing arts with the eye of getting into the film industry and went to drama school after that.
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I consciously did away with fade-ins and replaced them with the cut. Henceforth, I never used such editing techniques again. In fact, neither dissolve, fade-in nor fade-out can be regarded as 'the grammar of film,' they are no more than characteristics of the camera.
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That film What's My Line was very useful to me because it had Branch Rickey in a social situation. Every other bit of film that I had was him making a speech.
