Miyamoto Musashi Quotes
Quotes to Explore
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We can help a whole lot of people if we could figure out a way to expand Medicaid and get people the care that they need.
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Be a good-looking corpse. Leave a good-looking tattoo.
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My creativity all comes from the same place. I wear one very comfortable, large hat.
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Small lending institutions lack the capability of their larger counterparts to hire the additional manpower necessary to deal with the hundreds of additional regulations created by Dodd-Frank.
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Even if I flop, I still qualified for the Games, and that was my goal. My target was to be at an Olympics for the third time with people I like.
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Frankly, right is right and wrong is wrong, particularly when a parent is talking to a child. A bright line around moral responsibility is very important.
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Art is something special because it can come up with a way of approaching the truth that is a little to the side.
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So I'm a young boy in the 1940s growing up, seeing Ralph Bunche on a regular basis, seeing Duke Ellington on a regular basis. We know that these people are famous. They're living in the same community as we live in. They go to the same stores and shops.
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I learned a great many years ago that in a fight between husband and wife, a third party should never get between the woman's skillet and the man's ax-helve.
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I think a woman feels ugly when she's got the wrong man at her side.
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Most writers tend to get worse rather than better. I'm determined to be one that gets better.
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Certain things you have to stumble on to. They can't be preprogrammed.
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What is a sophisticate? He is a man who thinks he can swim better than he can and sometimes he drowns.
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Die then. This is my cure for sore knees.
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I suppose I have a really loose interpretation of 'work' because I think that just being alive is so much work at something you don't always want to do. Being born is like being kidnapped. And then sold into slavery. People are working every minute. The machinery is always going. Even when you sleep.
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We don't want to just be known for what we did. We want to be known for what we do and what we did. We've been highly productive since 2000 when 'Crush' came out.
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It's so easy to get caught up in the demands of life. And we all take refuge at times in routines and recliners and 'usual' anything!
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Don't let anyone tell you your ideas are stupid or the thing you feel most passionate about 'won't work' - it's happened to me time and time again, and we find that if you push at what you think is interesting hard enough, you're probably right.
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Keep true to the dreams of your youth.
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We need to be ambivalent - in the essay, and in life too. Ambivalence - having mixed feelings, entertaining contradiction, living with fluctuation - is a widened embrace. It's about the coexistence of things, and in that light, we have no choice in the matter.
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While there are several challenges, I do believe that over the transition and into the Trump presidency, the media as a whole has done pretty good work, as opposed to a spottier record during the campaign. There has been a lot of shoe-leather reporting going on, and the great story thus far of the Trump White House is the willingness of people who work there to leak to the media.
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My death scene in 'The Salton Sea' is really weird. I mean, I get shot in the head. What experience can you possibly draw from? There's nothing you can compare it to, really.
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Every album is difficult. If it was easy, we'd make one a month.
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It is difficult to understand the universe if you only study one planet
