Flume Quotes
To me it's all about textures, and that's the side of music that I'm finding really exciting. I feel like it's one of the only parts of music that mankind hasn't fully discovered yet.
Quotes to Explore
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My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.
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And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
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I started acting almost on a whim to help my music career.
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
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I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I've gone very far, far away, but my character keeps me close to home.
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I wanted to bring people together, and most importantly not feel threatened when they came to watch me box.
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If there's anything that would unite the world, it would be music.
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My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff.
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You should see all the negative things that the Romanian press writes about me.
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Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
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The look of being too deliberately dressed, with everything cautiously matching, always bores me.
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Just watching Jack Lemmon made me want to get into this business.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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There are guys out there faster than me.
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The only thing I've kind of missed is finding a really good western that I want to do, because I watched westerns a lot.
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Nobody has ever said to me that I was pretty, 'til I met Peter Beard.
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My darlings, if I can't write dark, epic music, I can't live!
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If you can make a character likable that's not very nice, that's the challenge of the job.
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It would probably be better if I got involved in fewer things just because I'd have more time to write for my own purposes... But if somebody calls you up with a really cool project, it's hard to just say 'no' because you don't feel like working.
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I feel a kinship with anyone who feels that their road, their life or who they really are is not good enough. I really relate to that.
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To me it's all about textures, and that's the side of music that I'm finding really exciting. I feel like it's one of the only parts of music that mankind hasn't fully discovered yet.
