Flume Quotes
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With Spotify, I think people are discovering a lot of artists they might not discover otherwise.
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I just want to try writing for other people 'cause it's quite exciting.
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I had this little Bon Iver phase a few years back; 'Flume' was one of my favourite songs.
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I don't think I make dance music. It's not even 4/4. And it's slow.
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I've never worked with huge pop acts, I mightn't like it, but it's something I've always wanted to try.
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There's no person I aspire to be. I'm just doing my own thing and seeing what happens - not looking to something and trying to be that.
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What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
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My parents used to play me this album when I couldn't go to sleep. It was called 'Deep Forest.' I think it was a self-titled record. It's actually still one of my favorite albums of all time.
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I can't sing, but I'll sing over this chord progression, like, over and over, for however long it takes - sometimes it's, like, two minutes, sometimes it's 20 minutes - until I've found like a hook or something that I'm really happy with. And then, basically, it just like that's my melody, and that's where I start from.
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'Sleepless' was the first thing that came out and really gained a lot of traction online.
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The thing I find frustrating about rock music is, how different can you make an acoustic drum kit sound, an electric guitar and vocals? It's very stuck, whereas with electronic music, new sounds are being created.
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I want to fuse the abrasive and the beautiful.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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Often, when I work with a vocalist, I like to focus on the melodies first.
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I'm not into the attention thing so much.
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This life and this job and this position that I'm put in, it forces you to grow up quick. I definitely got dropped in the deep end.
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I always regret leaving home if I don't get at least four or five surfs in the week before I leave. I try to be in the water as much as possible before leaving, and it's the one thing I miss massively.
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Every kid has a laptop; everyone can make music, so in order to stand out, I think it's important to find that sonic identity, I think my sonic identity - and mine is finding these weird sounds that may not necessarily sound that musical, and make them sound musical.
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In the dressing room, we've just made it really Zen: low lighting, lots of candles, and fresh, healthy food.
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I think Sydney has so much natural beauty; it's just a beautiful city.
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In the right context, you can make ugly sounds, different sounds feel right at home.
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I don't think I can name any names or anything, but this is what I've wanted to do for a long time: to have Flume as my creative outlet and to work on the biggest songs in the world, like pop, and come up with the idea and send it off.
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I'm always really curious about, you know, 'How do you deal with success psychologically?' and all this stuff.
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For me, I would prefer to not have my face on the album cover. I don't mind being in the public, but it's just not really my personality, and it's not really why I'm into this. I like making art, and that's it. I don't really want to be a celebrity, seriously. I like my privacy.