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I don't think about my mom when I'm onstage. I just don't really think about my kids when I'm working, and when we press stop and I walk outside, they're the first things I think about.
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I've always worked to find really deep meaning of song and also at the same time having it covered in sugar, so it can be taken two or three different ways.
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A riff can take on the aspect of a chorus in a listener's psyche.
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I think I've been a good boy long enough and given everyone around me a fair piece of the pie as far as all of the fleeting glory and reward that comes from the heavens - or the music press, whatever you want to call it.
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I want love to roll me over slowly stick a knife inside me, and twist it all around.... I want love to walk right up and bite me grab a hold of me and fight me leave me dying on the ground.
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Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.
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Passion, for me, is like a shark - it never stops moving.
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I won't let love disrupt, corrupt, or interrupt me.
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I probably could have a hip-hop-style entourage of 40 people coming with me to the club or whatever, and I don't do that. And I think sometimes maybe I should. It just makes things easier - if you don't like being by yourself, maybe just don't do it ever.
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I have never in my whole life asked for an autograph. It seems a little ... unnecessary.
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I think the most important thing is to start with something that fits perfectly. Don't worry about having it in five colors.
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I dislike the word 'emerging artist.' Emerging connotes to me an alligator coming up from the water. I consider all artists to be artists, not rising, emerging, amateur, beginning, but the real thing.
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I have trouble listening to people tell me about their dreams.
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Do not trust people who call themselves musicians or record collectors who say that they don’t like Bob Dylan or the Beatles. They do not love music if those words come out of their mouths.
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I don't like making my job easier. How are you accomplishing anything if there's no struggle? If I have to create a struggle that doesn't exist, I'll do that. Time and money constraints are a great way to do it.
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It's hard to find other musicians that push you to go somewhere new all the time.
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Amy Winehouse: Did she invent white soul? Wearing a beehive? No. But she did something brand new and fresh, altogether as a package, and you see who's in her wake, from the Duffys to the Lana Del Reys. Adele selling 20 million records? That would not have happened if Amy Winehouse was alive.
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The secret is planning your work and working your plan. If you don't know where you are going, how will you know when you arrive? You can't stumble upon your destination.
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The most exciting rock 'n' roll band of the last 50 years who are still on the road today.
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I'd got accepted to the seminary in Wisconsin, and I was gonna become a priest, but the last second I thought, 'I'll just go to public school.' I had just gotten a new amplifier in my bedroom, and I didn't think I was allowed to take it with me.
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As an artist, you take things from your environment, and there's going to be a style coming out of your environment.
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I would never be able to live in a huge city. I'd feel like one of 100,000 people doing the same thing.
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Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
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If you emphasize one part of the song, it trivializes the rest of the music.