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A riff can take on the aspect of a chorus in a listener's psyche.
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Sometimes you just get in there and force yourself to work, and maybe something good will come out, ya know? Deadlines and things make you creative. Opportunity and telling yourself you have all the time in the world, all the money in the world, all the colors in the palette, anything you want-that just kills creativity.
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There have been three times. Once I got in a car accident and shattered my finger. A few years ago I didn't feel like being alive. That's all I can say.
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Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.
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The secret is planning your work and working your plan. If you don't know where you are going, how will you know when you arrive? You can't stumble upon your destination.
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I hate irony, particularly when it is used because there isn't any message or to hide that someone hasn't any story to tell. Just like when someone only spews out a stack of cool words which don't mean anything and then has the gall to call it art. I always want to create a bridge between us and the listener, and I want it to be so that kids want to create for themselves a story or a context of the words.
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I probably could have a hip-hop-style entourage of 40 people coming with me to the club or whatever, and I don't do that. And I think sometimes maybe I should. It just makes things easier - if you don't like being by yourself, maybe just don't do it ever.
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I want love to roll me over slowly stick a knife inside me, and twist it all around.... I want love to walk right up and bite me grab a hold of me and fight me leave me dying on the ground.
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Passion, for me, is like a shark - it never stops moving.
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I have never in my whole life asked for an autograph. It seems a little ... unnecessary.
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I think I've been a good boy long enough and given everyone around me a fair piece of the pie as far as all of the fleeting glory and reward that comes from the heavens - or the music press, whatever you want to call it.
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I dislike the word 'emerging artist.' Emerging connotes to me an alligator coming up from the water. I consider all artists to be artists, not rising, emerging, amateur, beginning, but the real thing.
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I have trouble listening to people tell me about their dreams.
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Do not trust people who call themselves musicians or record collectors who say that they don’t like Bob Dylan or the Beatles. They do not love music if those words come out of their mouths.
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I am a commercial artist because I paint to earn a living. We who earn money from what we produce are all commercial artists.
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It's hard to find other musicians that push you to go somewhere new all the time.
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I don't like making my job easier. How are you accomplishing anything if there's no struggle? If I have to create a struggle that doesn't exist, I'll do that. Time and money constraints are a great way to do it.
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I'd got accepted to the seminary in Wisconsin, and I was gonna become a priest, but the last second I thought, 'I'll just go to public school.' I had just gotten a new amplifier in my bedroom, and I didn't think I was allowed to take it with me.
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I think the most important thing is to start with something that fits perfectly. Don't worry about having it in five colors.
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The most exciting rock 'n' roll band of the last 50 years who are still on the road today.
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If you emphasize one part of the song, it trivializes the rest of the music.
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As an artist, you take things from your environment, and there's going to be a style coming out of your environment.
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Amy Winehouse: Did she invent white soul? Wearing a beehive? No. But she did something brand new and fresh, altogether as a package, and you see who's in her wake, from the Duffys to the Lana Del Reys. Adele selling 20 million records? That would not have happened if Amy Winehouse was alive.
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The bottom line is we must get off our duff and make an effort to succeed. Trust me on this, when you see someone successful in any of the arts they have been willing to make an extra effort.