Jack Kerouac Quotes
'It was sad to see his tall figure receding in the dark as we drove away, just like the other figures in New York and New Orleans: they stand uncertainly underneth inmense skies, and everything about them is drowned. Where go? what do? what for? - sleep.'
Quotes to Explore
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Even when something sad or tragic happens, I find a way to look at it in a positive light. People who don't have a sense of humor must be so sad all the time.
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I know theater can improve the quality of people's lives, and I know theater can heal. I've worked as a doctor clown in a hospital for two years. I have seen sick kids and sad parents and doctors be lifted and transported in moments of pure joy. I know theater unites us.
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I do not take steroids. I never have. It's sad to me that people want to point fingers. I don't do that. That's not me. I wouldn't feel like a human being.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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All he cares about is going out there with his Jack Daniels bottle. Nothing has changed. That's kind of sad. If David was doing better than he used to be, then that would be different. But it was a joke and he made it that way.
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When I was young, to have a big nose, big lips or dark skin was the worst. You were the wretched. That was something I not only felt, but I participated in.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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I've been pretty lucky with neighbors. But back in 1998, I lived, like, literally next door to Wrigley Field in Chicago. And I had, like, 50,000 bad neighbors spread out over the course of one summer. I'm a diehard Cubs fan, but living right next to the ballpark, it's just - as you're trying to go to sleep, you can just, like, hear urination.
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I am very blessed.
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I think that's very sad, that I haven't allowed my heart to be broken. I have broken a few.
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When you say that you are a race man, it means that you embrace the entire black community regardless of the hue, whether somebody is very light and could pass for possibly white or someone is very dark.
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I love the script and I just thought it was a great role. Like I say, it's like this - the script is like this sad, funny, desperate love song to the lost American man.
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There's some real dark days where you just feel like the story is falling apart in every one. Just keep moving forward, even when you are bluffing, even when you don't quite know what is going to happen next.
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It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.
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When you're in a fighter jet and there's a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, it's light and blue. You are totally connected with the elements. You are in another world.
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I often say the last role I played that really touched me and where I was able to access what I really am was Bonnie, which is kind of sad when you think how early in my career that was.
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It's a sad commentary when I have to say that sometimes in our country we are real sensitive to race.
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When I go home, all I wanna do is just sleep and eat.
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The perfect antidote to dark, cold and creepy is light, warm and cozy.
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I'd like to do some things over again. I never want to repeat anything that went well, though - I just want to do better at slightly different things.
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Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
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I write to find out what I didn't know I knew.
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It is my duty to voice the suffering of men, the never-ending sufferings heaped mountain-high.
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'It was sad to see his tall figure receding in the dark as we drove away, just like the other figures in New York and New Orleans: they stand uncertainly underneth inmense skies, and everything about them is drowned. Where go? what do? what for? - sleep.'
