Alfred Bunn Quotes
I dreamt that I dwelt in marble halls, With vassals and serfs at my side, And of all who assembled within those walls, That I was the hope and the pride.
Quotes to Explore
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It takes a lot of help - nature, friends, family, craftsmen - for me to make what I make.
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For a very long time now I've been saying to young women, 'You can have it all, but not all at the same time.' How important it is to take very good care of yourself, of your mental and physical and spiritual wellbeing; it's hard to do. It's easier to be a workaholic than to have a truly balanced life.
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There's nothing that will change someone's moral outlook quicker than cash in large sums.
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It's different from Liverpool. Boston seems to be a friendly place.
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Anything that is wasted effort represents wasted time. The best management of our time thus becomes linked inseparably with the best utilization of our efforts.
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If I'm not interested in a woman, I'm straight-forward. Right after sex, I usually say, 'I can't do this anymore. Thanks for coming over!'
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I believe in forgiveness.
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Be still when you have nothing to say; when genuine passion moves you, say what you've got to say, and say it hot.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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I have tons of art books. I have them all over the place. They are in my car, in my bag, and in my studio. There are books around me all the time.
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I can tell you all kinds of moral tales, but fashion and reality are vaguely different.
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I began to write in an enclosed, self-confident literary culture. The poet's life stood in a burnished light in the Ireland of that time. Poets were still poor, had little sponsored work, and could not depend on a sympathetic reaction to their poetry. But the idea of the poet was honored.
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I'd like to go back to standup. I don't like to think I've done my last gig. At the moment it terrifies me, I get really nervous. It's a great buzz when it goes well.
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Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
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That's my hunger. If I start to relax, and I lose that, then I had better stop my football. I need that hunger. I still feel I need to do things 10 times better than other players. Just to be accepted and to improve myself.
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My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going to give me enough slack to tell my story.
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An inspiring word for me is to think of myself as limitless.
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The Indian diaspora is a wonderful place to write from and I am lucky to be part of it.
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To die alone, on rock under sun at the brink of the unknown, like a wolf, like a great bird, seems to me very good fortune indeed.
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Any time you are with anyone or think of anyone you must say to yourself: I am dying and this person too is dying, attempting the while to experience the truth of the words you are saying. If every one of you agrees to practise this, bitterness will die out, harmony will arise.
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With the offspring of genius, the law of parturition is reversed; the throes are in the conception, the pleasure in the birth.
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I really hope people go out and support the indie filmmakers, because it's a dying breed and there's a lot of cool voices out there that need to be heard.
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I transform when I work, but on a daily basis, I really don't pay that much attention to my looks.
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I dreamt that I dwelt in marble halls, With vassals and serfs at my side, And of all who assembled within those walls, That I was the hope and the pride.
