William Morris Quotes
So I say, if you cannot learn to love real art; at least learn to hate sham art and reject it. It is not because the wretched thing is so ugly and silly and useless that I ask you to cast it from you; it is much more because these are but the outward symbols of the poison that lies within them; look through them and see all that has gone to their fashioning, and you will see how vain labour, and sorrow, and disgrace have been their companions from the first-and all this for trifles that no man really needs!
Quotes to Explore
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A vote for Japan is a vote for the future of rugby. We will do our best to make rugby a global sport.
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I felt I had to solve everyone's problems.
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There was a special challenge in describing the awful childhood of a person who happens to be my own husband. It was very painful at times, for both of us.
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I'm here today because I hated everything else.
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It was a movement that had all the art critics, all the museum directors in its thrall.
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I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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Comedians have to write to survive because you don't get cast for your beauty.
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I changed that system in Florida when I was the Speaker of the House - I was the Minority Leader; I saw for 16 years the way a power system works.
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I think I have been very lucky as far as my acting career goes.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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You remember some bedrooms you have slept in. There are bedrooms you like to remember and others you would like to forget.
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In 20 years I want to look back and see a collection of crazy characters that I made - a menagerie.
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It's taken me time to find my feet in L.A.
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I may attempt a novel. I think that no matter what you write, it requires being honest with oneself, and you have to pull yourself out of the whirlwind of daily life.
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I like to play a strong woman, but a strong woman can also be very fragile and vulnerable at the same time.
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I get a lot of disbelief that my accent could actually be real, which seems strange.
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I offer originality: you don't know what my films are like until you go to them. I think that's the reason I've been getting all this attention.
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Someday, somewhere - anywhere, unfailingly, you'll find yourself, and that, and only that, can be the happiest or bitterest hour of your life.
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I had real big boobs, and I just got tired of knocking over stuff. Every time I eat, 'Oh, Lord'. I'd carry a Tide stick everywhere I go. My back was sore, so it was time to have a reduction.
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The value of a story like 'Deadline' is kids get to look at death at the perfect distance. They can put the book down. They can experience the story, rub up against it, but it's not real life.
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I never base a character on someone I know. You can get ideas from real life, but every character you write is some aspect of yourself.
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So I say, if you cannot learn to love real art; at least learn to hate sham art and reject it. It is not because the wretched thing is so ugly and silly and useless that I ask you to cast it from you; it is much more because these are but the outward symbols of the poison that lies within them; look through them and see all that has gone to their fashioning, and you will see how vain labour, and sorrow, and disgrace have been their companions from the first-and all this for trifles that no man really needs!
