William Morris Quotes
So I say, if you cannot learn to love real art; at least learn to hate sham art and reject it. It is not because the wretched thing is so ugly and silly and useless that I ask you to cast it from you; it is much more because these are but the outward symbols of the poison that lies within them; look through them and see all that has gone to their fashioning, and you will see how vain labour, and sorrow, and disgrace have been their companions from the first-and all this for trifles that no man really needs!
Quotes to Explore
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A vote for Japan is a vote for the future of rugby. We will do our best to make rugby a global sport.
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I felt I had to solve everyone's problems.
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There was a special challenge in describing the awful childhood of a person who happens to be my own husband. It was very painful at times, for both of us.
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I'm here today because I hated everything else.
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It was a movement that had all the art critics, all the museum directors in its thrall.
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I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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Comedians have to write to survive because you don't get cast for your beauty.
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I changed that system in Florida when I was the Speaker of the House - I was the Minority Leader; I saw for 16 years the way a power system works.
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I think I have been very lucky as far as my acting career goes.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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You remember some bedrooms you have slept in. There are bedrooms you like to remember and others you would like to forget.
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In 20 years I want to look back and see a collection of crazy characters that I made - a menagerie.
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It's taken me time to find my feet in L.A.
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Steve Jobs changed my life. He also changed the life of every designer.
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I may attempt a novel. I think that no matter what you write, it requires being honest with oneself, and you have to pull yourself out of the whirlwind of daily life.
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I like to play a strong woman, but a strong woman can also be very fragile and vulnerable at the same time.
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I get a lot of disbelief that my accent could actually be real, which seems strange.
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I offer originality: you don't know what my films are like until you go to them. I think that's the reason I've been getting all this attention.
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If I can remain excited about the music that I'm giving you, then you're damn sure going to be excited about it.
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People say writing is really hard. That's very unfair to those who are doing real jobs. People who work in the fields or fix roofs, engineers, or car mechanics. I think lying on your back working under an oily car, that's a job.
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With Los Angeles, it's kind of a love-hate thing. Sometimes I think it's marvelous, and sometimes I think it's a dump. It's so fake and I can't deal with how fake it is.
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The concept of loyalty is a very strange concept. When loyalty is to be tested, the real answer is that may it never be.
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So I say, if you cannot learn to love real art; at least learn to hate sham art and reject it. It is not because the wretched thing is so ugly and silly and useless that I ask you to cast it from you; it is much more because these are but the outward symbols of the poison that lies within them; look through them and see all that has gone to their fashioning, and you will see how vain labour, and sorrow, and disgrace have been their companions from the first-and all this for trifles that no man really needs!
