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Large or small, [the garden] should be orderly and rich. It should be well fenced from the outside world. It should by no means imitate either the willfulness or the wildness of nature, but should look like a thing never to be seen except near the house. It should, in fact, look like part of the house.
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Don't think too much of style.
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The wind is not helpless for any man's need, Nor falleth the rain but for thistle and weed.
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Love is Enough Love is enough: though the world be a – waning, And the woods have no voice but the voice of complaining, Though the skies be too dark for dim eyes to discover The gold – cups and daisies fair blooming thereunder, Though the hills be held shadows, and the sea a dark wonder, And this day draw a veil over all deeds passed over, Yet their hands shall not tremble, their feet shall not falter: The void shall not weary, the fear shall not alter These lips and these eyes of the loved and the lover.
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...If our houses, or clothes, our household furniture and utensils are not works of art, they are either wretched makeshifts, or, what is worse, degrading shams of better things.
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The reward of labour is life. Is that not enough?
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O thrush, your song is passing sweet, But never a song that you have sung Is half so sweet as thrushes sang When my dear love and I were young.
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Speak but one word to me.
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If there is a reason for keeping the wall very quiet, choose a pattern that works all over without pronounced lines...Put very succinctly, architectural effect depends upon a nice balance of horizontal, vertical and oblique. No rules can say how much of each; so nothing can really take the place of feeling and good judgement.
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A world made to be lost, - A bitter life 'twixt pain and nothing tost.
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Whiles in the early Winter eve We pass amid the gathering night Some homestead that we had to leave Years past; and see its candles bright Shine in the room beside the door Where we were merry years agone But now must never enter more, As still the dark road drives us on. E'en so the world of men may turn At even of some hurried day And see the ancient glimmer burn Across the waste that hath no way; Then with that faint light in its eyes A while I bid it linger near And nurse in wavering memories The bitter-sweet of days that were.
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I do not want art for a few any more than education for a few, or freedom for a few.
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It has become an article of the creed of modern morality that all labour is good in itself -- a convenient belief to those who live on the labour of others. But as to those on whom they live, I recommend them not to take it on trust, but to look into the matter a little deeper.
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From out the throng and stress of lies, From out the painful noise of sighs, One voice of comfort seems to rise: "It is the meaner part that dies."
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No pattern should be without some sort of meaning.
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History has remembered the kings and warriors, because they destroyed; art has remembered the people, because they created.
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Have nothing in your house that you do not know to be useful, or believe to be beautiful.
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What I mean by Socialism is a condition of society in which there should be neither rich nor poor, neither master nor master's man, neither idle nor overworked, neither brainslack brain workers, nor heartsick hand workers, in a word, in which all men would be living in equality of condition, and would manage their affairs unwastefully, and with the full consciousness that harm to one would mean harm to all - the realisation at last of the meaning of the word 'commonwealth.'
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Speak not, move not, but listen, the sky is full of gold. No ripple on the river, no stir in field or fold, All gleams but naught doth glisten, but the far-off unseen sea. Forget days past, heart broken, put all memory by! No grief on the green hillside, no pity in the sky, Joy that may not be spoken fills mead and flower and tree.
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Yea, I have looked, and seen November there; The changeless seal of change it seemed to be, Fair death of things that, living once, were fair; Bright sign of loneliness too great for me, Strange image of the dread eternity, In whose void patience how can these have part, These outstretched feverish hands, this restless heart?
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No man is good enough to be another's master.
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Art made by the people for the people, as a joy to the maker and the user.
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In Prison Wearily, drearily, Half the day long, Flap the great banners High over the stone; Strangely and eerily Sounds the wind's song, Bending the banner-poles. While, all alone, Watching the loophole's spark, Lie I, with life all dark, Feet tethered, hands fettered Fast to the stone, The grim walls, square lettered With prisoned men's groan. Still strain the banner-poles Through the wind's song, Westward the banner rolls Over my wrong.
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I think the thing that impressed me is (AT&T CEO Michael) Armstrong's strategic vision and the fact that he's got John Malone (TCI's chairman) to go along. There's a real commitment to build a new AT&T.