Alfredo Di Stefano Quotes
Quotes to Explore
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At the end of the day, I'd love to see children stop begging their parents to go to the circus. That's what would make me most happy.
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Governments are not running the show anymore. Scumbag Entrepreneurs are, and they have a harsh and ruthless agenda.
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If my client calls me and says, 'I'm going to a friend's premiere,' I'll say, 'Come over and let's do something cute.' And I won't bill them for that.
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The great love of my life is music.
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I didn't have any problem bonding with Honey, but I was plagued with insecurities about my ability to bring up my baby.
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I want the world to get a feel of me, showing them the way I am and the way I get down.
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That's what the sari is about. Everything is covered, yet a peep of an ankle can be a turn on for men.
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A man with a million dollars can be as happy nowadays as though he were rich.
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I've been able to sell a number of pilots. Most have been based on my personal experience, so basically, my pitches have been like 'Sit-'n-Spin' pieces.
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My friends told me that it's the hardest thing to separate the personal life from their work.
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I just wrote what I felt like writing since they seemed to sell.
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Sometimes I think I might not have written 'The Age of Miracles' if I hadn't grown up in California, if I hadn't been exposed to its very particular blend of beauty and disaster, of danger and denial.
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I think that there's a clinical mental illness called depression, but I believe that post-industrial America has been narcotized by progress. There's a cultural malaise - mental illness or no - that everybody suffers from at some point in their life.
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Search for the truth is the noblest occupation of man; its publication is a duty.
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I want to create a thousand paintings, maybe two thousand paintings, as many as I can draw.
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Many talk much, and indeed well, of what Christ has done for us: but how little is spoken of what he is to do in us! and yet all that he has done for us is in reference to what he is to do in us.
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Concordia discors.
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The same regions of the brain light up when someone touches their smartphone as when they touch a family member or a pet.
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When you grow up in poverty, suffer from abuse, live in a violent neighborhood, come from a broken home, lack positive role models, are told you'll never amount to anything, etc, the challenges are enormous.
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I can count on one hand the number of conductors-composers-arrangers that I enjoy working with, and at the top of that list is Mack Wilberg. I feel like I've known Mack forever. I'm just nuts for him.
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I think I've got a funny face.
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I really want to go to the opposite end of the spectrum and go super-special, super-intimate, super-creative, super-old school. It’s funny how many uphill battles you have to fight to get to do that. Getting them to let you play on the floor — like, I want to be on the floor, in a booth, and not looked at — not because I’m hiding. I want to provide people with this experience that I don’t think they necessarily get these days, which is just to be immersed in music and not be at a show, just to be at an event of dancing and immersion.
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Part of debunking the mythology of filmmaking is that we tend to want to locate it often in one person. And it's not one person. It's a collective, and it is a collaboration.
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I've always been a team player, that's all. One for all and all for one.
