Mohsen Makhmalbaf Quotes
In many ways, it is very real, because I sat there for 9 days, and it was constantly happening, and that was the 9 days of making the film. But you can't say that it's 100% true, because there are places where I've been intrusive and interfered.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I'm extremely particular how my look should be in a film.
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Being in a Woody Allen film. I cherish it.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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My name can raise money on a small-budget film.
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I make sure that whatever film I do, I enjoy my role.
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I've only used my own voice about four times on film.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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I didn't want to be an actress. I wasn't trying to be in film or an art gallery for me.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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I've done a lot of TV, but not film.
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As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
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There can be no freedom for Africa without justice; and no justice without declaring war on Africa's poverty, disease and famine with as much vehemence as we remove the tyrant and the terrorist.
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Before Fringe I was in Dirty Sexy Money playing Jeremy Darling who was this bratty New York socialite.
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In many ways, it is very real, because I sat there for 9 days, and it was constantly happening, and that was the 9 days of making the film. But you can't say that it's 100% true, because there are places where I've been intrusive and interfered.
