Victor Hugo Quotes
Quotes to Explore
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I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
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It seemed to me that the real philosophical breakthroughs of the 20th century were in terms of the understanding of language. What is language? Where does it come from, how does it work, what does it do?
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It doesn't work that way, you know, because most parts that you think you'd do well, most other people don't. So they offer you something - The Avengers is a good example... I fitted into that because I came from that sort of background. It's not even acting.
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It is obvious that the monetary union among 17 very different European countries does not work. As an economist, I know that the Eurozone is not an optimum currency area, as defined in economic theory.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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I was so worried when I left 'GH:' so scared I'd never work again.
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America's growth historically has been fueled mostly by investment, education, productivity, innovation and immigration. The one thing that doesn't seem to have anything to do with America's growth rate is a brutal work schedule.
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'Cold Case' was fun. It was a fun experience. That was right when I was cutting my teeth as a TV actor. It was a great learning experience to work on really fast-paced television shows that are very high quality. It was a place where I learned that I had to keep up and I could keep up.
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I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
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Between work and the kids, I never see anyone anymore. I mean, when I first met with ABC last spring, and they asked me what I'd been doing lately, I said: 'Gee, I have two kids. I'm usually covered with food, wrinkled and feel guilty all the time.
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For 100 m., you have to go out fast but also bring it back, so we've been doing a lot of work on the back-end speed.
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Plots may be simple or complex, but suspense, and climactic progress from one incident to another, are essential. Every incident in a fictional work should have some bearing on the climax or denouement, and any denouement which is not the inevitable result of the preceding incidents is awkward and unliterary.
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There's nobility in hard work, traditional values.
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If you're graduating from high school, and you come from a lower income family, you're effectively given two options. One is get a four-year college degree; two is work at a low-wage job, potentially for the rest of your life. We've got to do better on that front. We have to provide more options.
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Most of my job life has had to do with welfare, first helping people find work and then as an administrator. The earlier experience was more direct and satisfying, and I enjoy thinking that a bunch of people somewhere are doing better today than they might have done if not for me.
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It's impossible to be someone you're not, so quit trying. I am as passionate about my hobbies as I am about my work and my family. All three are equally important to me at all times.
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I never work just to work. It's some combination of laziness and self-respect.
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Every day, I come home with a spring in my step. We've got to work together to stop the Obama agenda and take this country back.
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As soon as I started writing Julia, by which I mean while writing its first sentence, I felt a sudden, reassuring charge of excitement. I knew it was going to work.
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I hope to work, support my children and die quietly without pain.
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Courage is the only Magic worth having.
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I don't think that I'm as big as Lobo is, but if you could, like, transplant Mickey Rourke's body on my head, that would be just great.
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I discover that hardly a week passes that some one does not start a new cult, or revive an old one; if I had a hundred life-times I could not know all the creeds and ceremonies, the services and rituals, the litanies and liturgies, the hymns, anthems and offertories of Bootstrap-lifting.
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Great buildings, like great mountains, are the work of centuries.
