William Sanderson Quotes
I like Edward G. Robinson - he started as a character actor and became a lead, which is probably why I like him.
Quotes to Explore
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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There are times I think it might be nice to have deep-pocketed limited partners to provide me with some cushion. But I enjoy having no responsibilities except to myself, financially.
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I remember starting out and covering songs.
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When people don't understand my work, I don't feel like explaining.
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I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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I did every job under the sun from bartending to ushering to temping.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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If you are in this business long enough, you hear about a thousand things that are going to kill you. Open source? Yeah, we are not dead yet. Cloud? That's not new; it's a new name.
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My first book was poetry, but I didn't write it first. I wrote it third. So my first two books were prose.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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A man has no more character than he can command in a time of crisis.
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Even as a kid, I was a businessman. I figured out that if you plucked all the berries off my neighbor's tree and smashed them up, they made a Nickelodeon Gak-type consistency. I sold them to all the neighborhood kids and made stacks of quarters. Of course, the berries were poisonous, and I got in all types of trouble.
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I get really tired of hearing of all these old rockers whine and complain about how hard life on the road can be. Just stop if you don't like it. I don't think of it as work. I love it all.
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I like jazz, rock n' roll, some hip hop - I can't think of any music I don't like.
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I've purged myself of bitterness and anger and remained open to love.
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I think that our comfort is in our history.
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I'm not a big texter anyway. I'm really slow at it and so I try to avoid it to avoid embarrassment, you know what I mean?
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This is a nature-boy movie, a kid's daydream of being an Indian. When Dunbar has become a Sioux named Dances with Wolves, he writes in his journal that he knows for the first time who he really is. Costner has feathers in his hair and feathers in his head.
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How should we deal with intrusions of fiction into life, now that we have seen the historical impact that this phenomenon can have? … Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.
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For me, what I really want to come out of it is to show people that I can hold together a movie, be the number one character and play someone who is twenty or twenty-one.
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No matter how hard we strive for objectivity, writers are biased toward tension - those moments in which character is forged and revealed.
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I like Edward G. Robinson - he started as a character actor and became a lead, which is probably why I like him.
