William Shawcross Quotes
The important point was that whatever errors America had made [in Vietnam] "we are so powerful [according to Secretary Kissinger] that Hanoi is simply unable to defeat us militarily" and must therefore eventually be forced to compromise.
Quotes to Explore
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Phrases that have historical significance or become headlines don't just magically appear in the moment. They are mindfully planned.
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When I was a kid, I had an Atari 2600, and I would play Pac Man, Frogger, all that kind of stuff. And I did enjoy going to the arcade.
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I don't want to go down in history as a man who allowed blood to be shed.
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Any artist who aligns themselves with a politician is making a category error because what politicians do is not on a human scale, it is on a geopolitical scale.
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I'm not a pin-up, thankfully. I'm not suggesting I feel unconfident. I am beautiful to my husband. I am beautiful to my friends. I feel sexy and all those things with the people I love.
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How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly normal human being.
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I feel super lucky to be living in New York. I love the city, I love the energy. I always loved it. I had pictures of New York in my bedroom when I was young.
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We expect 'Narcos' will be an enormous success throughout everywhere in the world and maybe out-index in Latin America, given the Brazilian star and Brazilian director and heavy Latin American cast and that we shot the show entirely on location in Colombia.
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Focus on remedies, not faults.
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Eurasia is home to most of the world's politically assertive and dynamic states.
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If you get something like 'Avatar,' it opens up a lot of big blockbuster doors.
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Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.
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I've come to feel that if I can't make something happen in under an hour and a half, it's not going to happen in a compelling way in a three-hour play.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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It's like the brooding hen sitting over a china egg.
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But in answer to your question about the conspiracy angle, I think that any historian worth his salt, and this is where I fault Stephen Ambrose and a lot of these guys who attack me - not all of life is a result of conspiracy by any means! Accident occurs alongside conspiracy.
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Life can be pulled by goals just as surely as it can be pushed by drives.
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When I was kid, I remember playing 'Vogue' by Madonna over and over and over again. And ah, you know, something about the beat was really cool, and Madonna, visually, was on TV all the time and I thought she was just so beautiful.
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Values are more important than money.
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'Salaryitis' is when you become so accustomed to that salary that you no longer have the gumption to pull out of the rut and strike out on your own. It destroys the nerve of ambitious, imaginative men, and bowing to it has meant sure defeat for more people than any other sickness, mental or physical.
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These left me in no doubt that something was trying to communicate with us, but that direct communication would be counterproductive. It seemed to be an important part of the scheme to create a sense of mystery.
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Sometimes, when you see the newspaper and you read something I said, you say, 'Oh, I can't believe he said that.'
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The important point was that whatever errors America had made [in Vietnam] "we are so powerful [according to Secretary Kissinger] that Hanoi is simply unable to defeat us militarily" and must therefore eventually be forced to compromise.
