William Shenstone Quotes
Quotes to Explore
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I'm not afraid of failing. I don't like to fail. I hate to fail. But I'm not afraid of it.
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Hillary Clinton wants to leave behind No Child Left Behind.
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Kids are disorganized.
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I'm a terrible cook, but I make very good lobster salad.
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I don't want to be on the cover of Playboy or Vogue.
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I want to tell you how much I miss my mother. Bits of her are still there. I miss her most when I'm sitting across from her.
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I love a lot of people, understand none of them.
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Everybody likes Brazil and we want the Brazilians to come out.
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The simple act of paying attention can take you a long way.
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I could have quite literally snogged until the cows came home. And when they came home I would have shouted, "WHAT HAVE YOU COWS COME HOME FOR? CAN'T YOU SEE I'M SNOGGING, YOU STUPID HERBIVORES???
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My personal history would not be disappointing to readers, but it is my own affair which I want to keep to myself. I am in fact in no way more important than is the typesetter for my books, the man who works the mill; no more important than the man who binds my books and the woman who wraps them and the scrubwoman who cleans up the office.
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The back is like a frame, the front body, the painting that it throws into relief.
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The whole thrust of yogic philosophical and scientific inquiry has therefore been to examine the nature of being, with a view to learning to respond to the stresses of life without so many tremors and troubles.
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I need the information and then I can go. So, as long as I have the information and a little bit of sleep, I can do the rest.
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I have always regarded manual labour as creative and looked with respect-and, yes, wonder-at people who work with their hands. It seems to me that their creativity is no less than that of a violinist or painter.
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There are people who are known to be very liberal, yet they never give without scolding or pride or even insolence.
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The martyrologies are catalogues in which are to be found the names of the saints with the days and places of their deaths and, generally, with the distinctive character of their sanctity and with an historic summary of their lives.
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The crowds treat me like my last name. When I go onstage people usually stand up, I never ask them to, but they do. They stand up and they don't know how much I appreciate it.
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When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
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I am thankful that my name in obnoxious to no pun.
