William Styron Quotes
Perhaps the critics are right: this generation may not produce literature equal to that of any past generation-who cares? The writer will be dead before anyone can judge him-but he must go on writing, reflecting disorder, defeat, despair, should that be all he sees at the moment, but ever searching for the elusive love, joy, and hope-qualities which, as in the act of life itself, are best when they have to be struggled for, and are not commonly come by with much ease, either by a critic's formula or by a critic's yearning.
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I'm kind of sarcastic. Not cynical but sarcastic.
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Most of Google's home technologies have failed to catch on in a major way.
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The emperor is in the Church, not above the Church.
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I love 'Chaplin'; I mean I really love 'Chaplin.' I just think there's a grace and an elegance that's almost never been matched.
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No matter what a woman's appearance may be, it will be used to undermine what she is saying and taken to individualize - as her personal problem - observations she makes about the beauty myth in society.
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Love cures people - both the ones who give it and the ones who receive it.
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Through this experience we have been warned - learn everything, don't forget anything!
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I think 'The Wire' really is relatable. It reflects an ongoing issue across America, about inaccuracies in major cities between rich and the poor and some of the things that go on behind the red tape of council and government bodies.
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We do not need to proselytise either by our speech or by our writing. We can only do so really with our lives. Let our lives be open books for all to study.
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If you don't want to deal with them, fine. But don't hamper other people from dealing with them.
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I am convinced that only by applying the values of an entrepreneur to philanthropy will you ever be able to meet the needs of the greatest number of people.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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When I write a goal down - and I truly write them down - it becomes a part of me. That's a contract that I sign with myself to say, 'I don't care what happens - I'm going to stay on this path. I'm going to try and see this through; I'm going to give it my best shot, my best effort.'
Gail Devers -
The kids are not brought up to have minds of their own as individuals.
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I went to film school and wanted to learn everything there was about making movies.
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I've always loved film more than theater.
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I have learned so much from God that I can no longer call myself a Christian, a Hindu, a Muslim, a Buddhist, a Jew.
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I love dressing up around the holidays! My friends also really like to get dressed up. It's an excuse to get fancy.
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What woman would not appreciate a God who becomes her attorney, assumes her case, requires no fee, and wins her the victory?
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I didn't make any money from my writing until much later. I published about 80 stories for nothing. I spent on literature.
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Nobody ever wins by the cavalry coming to rescue you. It isn't a question of you're happy if you get married, or you get thin, or you get rich, because I've known lots of thin, rich, married people who are absolutely miserable.
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When the Bond films started, people didn't travel quite as much as they do now; a lot of people had never been outside of their own country, and certainly sitting in the cinema and seeing these exotic locations - I mean, that movie did great things for India, for tourism. They were very wise to allow us to film there.
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Perhaps the critics are right: this generation may not produce literature equal to that of any past generation-who cares? The writer will be dead before anyone can judge him-but he must go on writing, reflecting disorder, defeat, despair, should that be all he sees at the moment, but ever searching for the elusive love, joy, and hope-qualities which, as in the act of life itself, are best when they have to be struggled for, and are not commonly come by with much ease, either by a critic's formula or by a critic's yearning.
