Montgomery Clift Quotes
Failure and its accompanying misery is for the artist his most vital source of creative energy.
Quotes to Explore
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I cannot control what goes on in another lane and this is how I focus on the Games. There is no point in being nervous of other swimmers. It's just about focusing on yourself and what you need to do in order to perform at your best.
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I'd been ready too, because before Olympic Games, I wasn't compete in big competition like, World Championship, like European Championship. I just competed in national competition.
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The truth is, I don't sketch much at all. I have a very visual/spatial brain that retains a lot of information about maps, directions, positioning, and details, so I usually prefer working out those issues on the page itself.
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I don't look like a white woman. I look Somali.
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It would have been fun to have played Tim Robbins' role in Bull Durham.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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Tell the audience what you're going to say, say it; then tell them what you've said.
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From a social networking point of view, Pakistan is not very far away.
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I grew up in a strongly socialist family. While I was at school, I worked in party politics and with organizations like the Anti-Nazi League. Everywhere I saw it, I fought prejudice.
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I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.
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250,000 people turned up in Dublin to cheer me on an open-topped bus along O'Connell St after my world title winning fight in 1985. I'll never forget the sea of smiling faces that greeted me that day.
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Every calling is great when greatly pursued.
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Youth is really in your attitude, not in what you look like.
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Questions and answers is a big space, and there are lots of possible systems that you can create for different goals.
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Modeling can be a bit brain damaging. Starting my own brand was what I needed to do. I only model if there are such good jobs that you don't want to say no to. All that dressing up makes me say, 'What do I want to wear?' and, 'What do I want to do with Topshop?' It all kind of leads into the other things.
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I'm appealing to people who want something different, but the world, on the whole, doesn't really embrace different things. Not on the whole.
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The concept of doing holiday episodes is a huge part of what's fantastic about doing TV. And viewers agree; you see the numbers going up for holiday episodes.
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It is apparent that prisoners of war are among the most vulnerable of people. Not only are they completely under the control of their captors, but in a time of conflict, the hatred and brutality of the battlefield are very likely to be mirrored within military prison walls.
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I'm quite contrary. If people agree on something, I tend to gravitate the other way by my nature. I don't like to be told what to do. I think it goes back to school. I like to do things I want to do and I really don't like doing what I don't want to do.
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Reverie is the groundwork of creative imagination; it is the privilege of the artist that with him it is not as with other men an escape from reality, but the means by which he accedes to it.
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A psychiatrist who professes to be a healer of souls, but who keeps people asleep, treats them for waking up, and drugs them asleep again (increasingly effectively as this field of technology sharpens its weapons), helps to drive them crazy.
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Human life is fiction's only theme.
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Failure and its accompanying misery is for the artist his most vital source of creative energy.
